Best of the Week — First Winner

Inaugural images: Talent and tech combine in sweeping, instant photo coverage

Remember these images from the Inauguration: The new first couple dancing across a giant presidential seal at a ball? Faces in the crowd cheering or crying in the rain? The instant when Donald Trump took in the scene through an opening door before stepping onto the podium to become the 45th U.S. president?

Credit for those signature images, which appeared across the globe almost as they happened, goes to the skill and artistry of a hand-picked team of AP photographers and photo editors – and also to the cutting-edge, behind-the-scenes efforts of AP technicians working hand-in-hand with them to cover the intensely competitive event.

Their extraordinary work, a stream of 2,000 photos sent from daybreak until well after midnight, earns the Beat of the Week.

Best of the Week — First Winner

AP photo team scores with a fresh approach to annual Cannes festival coverage

Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola

The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.

For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.

Best of the States

A photographer’s unique vision merges past and present for front-line nurses

With the U.S. slowly emerging from COVID-19, it might be easy to assume that the pandemic will soon be in the past, but for many, particularly health care workers, the trauma of what they experienced while caring for deathly sick patients will be with them for years to come.

To capture the idea that the past can be part of the present, Los Angeles photographer Jae Hong focused on intensive care nurses at a Southern California hospital who had taken care of extremely ill COVID patients and, despite all efforts, had lost many. That ward closed this spring, but the memories endure for these nurses.

Hong’s approach called for a photo technique not typically used in reporting the news: He made multiple exposure portraits of 10 of the nurses in the hospital, resulting in haunting images that show each nurse both in the photo, the present, and seemingly somewhere else in the past.

Accompanied by revealing interviews, the piece played widely in the U.S. and beyond, and attracted attention on social media.

For arresting, interpretive photography that evokes the lingering effects of the pandemic on these front-line medical workers, Hong earns this week’s Best of the States award.

Best of the Week — First Winner

One shot: AP photographers reflect on covering the pandemic, and the image that most affected them

Since the start of the pandemic, AP photographers have been on the front lines of coverage, taking on risks to bring the world scenes of struggle, death, comfort and hope. And in many ways the images had a profound impact on the photographers themselves.

So as the world approached another grim pandemic milestone of 3 million deaths, New York photo editor Alyssa Goodman asked a group of 15 photographers from 13 countries to each select the one image from their virus coverage that affected them most, and describe why.  

The resulting package, elevated by the elegant writing of Rome reporter Nicole Winfield, offers compelling insight into the emotional impact of bearing witness and documenting the pandemic.

For adding a new and creative dimension to some of AP’s most deeply moving photography of the coronavirus pandemic, Goodman, Winfield and this dedicated team of photojournalists — representing their AP colleagues worldwide — earn AP’s Best of the Week honors. 

Beat of the Week

(Honorable Mention)

Standout visuals mark a year since eruption in Philippines

had a vision for a visually-driven package to mark the year since the violent eruption of the Taal volcano in the Philippines.With his newly acquired drone pilot license, the Manila-based AP photographer knew that aerial photography would make unique still and video images of the ash-covered ghost town. He also learned that many residents of the volcanic island still remained homeless in a temporary tent city.After getting approval for the project, he set out to deliver all-formats coverage. He did extensive research, then drove to the volcano, where a local fisherman ferried him to the island that is home to the volcano.The drone app warned him it was too windy to fly, but Favila knew the visuals would be strong — and it might be his only chance. He launched the drone and kept receiving strong wind warnings during the flight, but he kept the drone airborne long enough to get stunning photos and video.Next, he explored the ash-covered island, visiting an area where people still live in tents. Residents of the island, which is a popular tourist destination, lost their livelihood: livestock animals and the farmland where they grow vegetables. Favila interviewed people who have had to live in the tents through typhoons, excessive heat and even the pandemic, capturing their touching accounts on video, humanizing the story for an impressive one-person package.https://bit.ly/35At6yLhttps://bit.ly/3bIsUB4https://bit.ly/38DyX8a

Best of the Week — First Winner

Stories of lives lost, told with photos: 2 remarkable projects share Best of the Week

As the COVID-19 pandemic raged across the world last week, and the confirmed U.S. death toll approached 100,000, AP photographers on two continents found unusual and meaningful ways to bring home the tragedy of lives lost. They were:

– Photographer David Goldman, who met with the families of COVID-19 victims at a Massachusetts soldiers’ home, literally projecting veterans’ images onto the exterior of the families’ homes for a series of arresting, ghostly and emotion-laden scenes.

– And Rodrigo Abd, who spent weeks with Venezuelan migrants collecting bodies in a poor area of Lima, Peru, showing the abject desperation of that city’s victims. Also honored is Lima reporter Franklin Briceño who accompanied Abd, documenting for text and video the funeral home workers on their grueling rounds.

Both projects had immense impact online and in print, drawing praise from readers and editors. For intrepid and creative multiformat storytelling emphasized by unforgettable images, Goldman, Abd and Briceño share AP’s Best of the Week honors. 

Best of the Week — First Winner

Decisive win at Women’s World Cup – for AP Photos team

We all want to perform well on the big stage, and AP’s photo team did exactly that at the recent Women’s World Cup in France, a tournament that is being called the greatest edition yet of the sport’s most prestigious event.

AP’s photo coverage was strong from the outset of the 52-match marathon, but it was the crew’s performance in the championship final that really stood out. Intelligent planning from Paris and London, and brilliant execution by specialist photographers and remote editors saw AP photos dominate play with their coverage of the 2-0 victory by the U.S.

A five-strong team of photographers – staffers Alessandra Tarantino, based in Rome; Francisco Seco, Brussels; and Francois Mori, Paris; joined by freelancers Vincent Michel and Claude Paris – won the day in a manner arguably even more decisive than the U.S. women.

The list of front pages is long and includes prestigious titles like The New York Times, L’Equipe, The Guardian, The Times, the Los Angeles Times and the Houston Chronicle.

For a performance that befitted the biggest stage in the world on July 7, the team of Tarantino, Seco, Mori, Michel and Paris – with international AP support – shares AP’s Best of the Week.

Beat of the Week

(Honorable Mention)

In the time of coronavirus, a study of Tokyo in black and white

Tokyo photographer Jae C. Hong documented in stark black and white the unsettling new norm of Japan’s largest city during the coronavirus pandemic. Struck by the contrast of the white protective masks against the shadowed buildings and backdrops, Hong thought black and white photography would convey the right tone. He produced a stunning package, unique among the global flood of coronavirus images.https://bit.ly/3dsTIE9https://bit.ly/33RxV4Ihttps://bit.ly/2x4TjXE

Beat of the Week

(Honorable Mention)

Inside the lines: AP chronicles San Quentin prison tennis program

gained exclusive access to a tennis program in California’s San Quentin State Prison, producing a distinctive enterprise piece on sports behind bars.Bay area sports writer McCauley, a former college tennis player, had been invited to play tennis with inmates and requested permission from prison authorities to write about the program, which pairs inmates with a player from the outside community. She and photographer Vásquez were allowed into California’s oldest prison twice — McCauley as a player and reporter, and Vásquez to capture images of the program and the inmates’ stories.The result was an engaging account of a sports program seeking to build a stronger sense of community among inmates, as well as the connections they forge with players from the outside the prison.Read more

Beat of the Week

(Honorable Mention)

AP coverage marks 6 months since Russian invasion of Ukraine

all contributed to AP’s in-depth, authoritative coverage looking back at six months of war in Ukraine.After weeks of creative planning and coordination, the teams on the ground in Ukraine — and colleagues across AP bureaus and departments — delivered a series of stories both informative and innovative.The journalists revisited a 12-year-old looking after his wounded mother and reported on other lives upended. They chronicled the widespread damage around the Kyiv, reported on the lingering aftermath of mass civilian killings in Bucha and more. Further coverage included an excellent explainer on the conflict’s current state of play, the economic implications reverberating around the world and a compelling look at the plight of Ukrainian refugees.Read more

Beat of the Week

(Honorable Mention)

AP duo wins over Santorini’s cloistered nuns, tells their stories

gained unprecedented access to a convent housing 13 cloistered Catholic nuns on the trendy Greek island of Santorini, a favorite of tourists. The nuns devote their lives to praying for those visitors and for the world — their near-constant prayer deemed necessary to support more publicly engaged ministries.The AP pair won the trust of the nuns, who opened the doors to areas of the convent off-limits to visitors while sharing what calls them to this sequestered life of devotion to God. The result is a distinctive and revealing package of Dell’Orto’s illuminating text and Giannakouris’ equally compelling photography.Read more

Beat of the Week

(Honorable Mention)

AP: Algorithm screening for child neglect raises bias concerns

teamed up on an exclusive package that revealed concerns over racial disparity in an algorithm used by one child welfare agency to help decide if a family should be investigated by child protective services.Long-term source work allowed the reporters to obtain research on the impact of the tool used to support social workers in Allegheny County, Pennsylvania, who make split-second decisions meant to protect children from neglect. The research showed the algorithm flagging a disproportionate number of Black children for a “mandatory” neglect investigation when compared with white children, and that social workers disagreed with the risk scores the tool produced about one-third of the time.Read more

Best of the Week — First Winner

Distinctive AP photo project depicts Israelis, Palestinians sharing summer on distant shores

For years, AP’s Khalil Hamra and Oded Balilty have captured the Israeli-Palestinian conflict through their award-winning photography. This summer they turned their lenses away from the violence and onto a place of refuge for both sides: the stretch of beaches along the Mediterranean Sea.

With Balilty making images from Tel Aviv and Hamra from Gaza, the Pulitzer Prize-winning photographers produced an evocative essay showing Palestinians and Israelis basking on the beach, separated by 70 kilometers (40 miles) and free from fear of the next eruption of fighting. The photographers have met just once, years ago, but communicated online about what they were seeing, made pictures, shared them and then set out to find similar ones from their respective sides.

The immersive presentation includes an engaging video revealing more about the photographers and how they applied their craft.

For a strikingly unique, creative collaboration that brought, in Balilty’s words, “something positive” from a part of the world beset by conflict, Hamra and Balilty earn this week’s Best of the Week — First Winner award.

Beat of the Week

(Honorable Mention)

AP delivers standout all-formats coverage of Simone Biles narrative

gave AP exclusive glimpses into the saga that led gymnast Simone Biles to drop out of most of her events.During the first week of the Olympics, sports writer Graves and national writer Clare Galofaro used source work — contacts in Biles' camp, USA Gymnastics and others — to keep AP ahead of nearly every development through eight APNewsAlerts, including Biles’ shocking decision to leave the team gymnastics competition after one vault. AP had exclusive video of Biles at her hotel for several days as the world waited to find out if she would compete again, and had live shots of her moving around Tokyo and even going shopping at a pet store. AP also delivered world-class photography of her in action and on the sidelines cheering for her teammates.Graves, AP’s authority on gymnastics, has built a relationship with Biles that precedes the Rio Games and includes U.S. championships, world championships and one-on-one interviews, giving context to the fast-breaking stories coming out of Tokyo. In May, Biles had opened up in a multiformat interview about the pressures that would eventually move her to pull out of most Tokyo Games competition. Graves also produced a comprehensive explainer on “The Twisties,” the disorientation Biles felt as she was airborne, a story Biles herself liked on Twitter.https://aplink.news/1j6https://aplink.news/ghdhttps://aplink.video/br6

Beat of the Week

(Honorable Mention)

AP: Chronic inequity in countries with scarce medical oxygen

collaborated across continents to highlight widespread government failures to ensure necessary supplies of medical oxygen as countries face a resurgent COVID-19.A year into the pandemic and around the world, there is no good reason for people to still be dying due to shortages in medical oxygen. But they are. Drawing on reporting across Latin America and Africa, the team pulled together details of scams, corruption and overall mismanagement. Their reporting was backed by strong photography, including Meija’s striking photos of people waiting for oxygen bottles, along with spot video coverage over the past month of people desperate to breathe while billions of dollars go unspent to help them.https://bit.ly/3bd0sXBhttps://bit.ly/3e9oPXS

Beat of the Week

(Honorable Mention)

Powerful photos anchor all-formats coverage of Florida condo collapse

delivered standout photo coverage of the Surfside, Florida, condo collapse, anchoring an impressive AP response in all formats.Lee was at home a few blocks away when the tragic, catastrophic story broke early Thursday morning. He quickly made his way to the scene to make some of the first images the world would see of the pancaked Champlain Towers South. His fast work on the ground also earned him a text byline, with customers and readers across the country waking up to a comprehensive AP story with his images. More AP journalists were soon on the scene digging into spot developments as well as the history of the building, churning out urgent series after urgent series and sensitively reporting the human toll, finding names and details of the missing to round out a well-received vignettes package. Early video also scored heavily with AP customers. Throughout the coverage, the photo team, led by Lavandier and South regional photo editor Mike Stewart, fought restricted access and had to innovate visually. Herbert first chartered a plane, then a helicopter, making handheld aerial photos with an 800mm lens from as much as two miles offshore as flight restrictions tightened. Then the team hit on the idea of using a boat. That allowed closer access but still required long lenses from a moving craft, with the photographers effectively timing their shots to coincide with the peaks and troughs of the waves to minimize movement. Competitors scrambled to emulate AP's strategy with their own vessels. AP wins on visuals included powerful photos by Sladky and Lavandier of people comforting each other, and three different AP photos rotating as the lead photo on Saturday’s New York Times home page — images showing the destruction, the rescue operation and the emotional toll. The Miami Herald praised AP’s visuals and has used much of the work, even as its own photographers produced strong content. The Herald and other members have shared some of their best images in AP’s photo report. In addition to AP’s photography, members have praised the all-formats coverage, including the “microstories” AP published practically in real time, showcasing good nuggets of information throughout the news cycles. Coverage of the collapse topped AP’s measures of readership and reader engagement for the month. https://apnews.com/hub/buildin...

Best of the Week — First Winner

Daring AP team crosses front lines to report on Ethiopia’s Tigray rebels and war’s civilian victims

Since the conflict in the Tigray region of Ethiopia broke out seven months ago, news coverage has necessarily focused on those who fled the region. And AP journalists have delivered that coverage since November. But few journalists could reach areas under the control of the Tigray People’s Liberation Front, the party of Tigray’s now-fugitive leaders. Access was refused by the Ethiopian military. Until now.

AP’s Kampala, Uganda, correspondent Rodney Muhumuza and the Nairobi, Kenya-based team of Khaled Kazziha, Ben Curtis and Desmond Tiro made it through to the town of Hawzen with determination, teamwork and skill. 

Once there, and knowing the risks, the all-formats team limited themselves to less than an hour in the town, during which they reported exclusively on the TPLF fighters then occupying it. Hours after the journalists left, government troops shelled the town and recaptured it. The team later interviewed displaced victims of the conflict, including child amputees. The resulting multiformat story used the Hawzen as an example of the challenges facing Ethiopian authorities in the region. 

For smart, careful and courageous reporting to become the first outside journalists since the conflict started to interview fighters loyal to the TPLF, Muhumuza, Curtis, Kazziha and Tiro earn AP’s Best of the Week award.

Best of the Week — First Winner

Gaza team evacuates, responds with outstanding coverage as airstrike destroys AP’s building

Last Saturday afternoon, the AP’s staff in the Gaza Strip received an urgent call: They had less than an hour to evacuate the office before the Israeli military planned to destroy the entire building. Staff and freelancers scrambled to pack up whatever equipment and belongings they could carry, but even as they rushed to safety they continued reporting the news, including smartphone video of the evacuation and a live shot set up on a neighboring building. 

Moments later, an Israeli airstrike flattened the 12-story building that had served as a second home in one of the world’s most challenging war zones for the past 15 years. The AP team captured the dramatic scene for all formats, then, despite the stunning turn of events, quickly regrouped to continue their coverage of the ongoing conflict. 

The destruction of the building capped a difficult week in which Gaza came under intense Israeli aerial bombing, and thousands of rockets were launched into Israel.  AP’s staff on both sides of the conflict rose to the occasion, presenting fast, accurate stories, powerful photography, gripping video. 

For extreme dedication in the most difficult of circumstances, and their commitment to covering the conflict even at great personal risk, the Gaza team of Fares Akram, Najib Jobain, Rashed Rashid, Khalil Hamra, Hatem Moussa, Adel Hana, Mohammed Jahjouh and Wafaa Shurafa is the unanimous pick for Best of the Week honors.

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY

Best of the Week — First Winner

AP gets first look inside China’s largest detention center, breaks news on Uyghur incarceration

The sprawling Urumqi No. 3 Detention Center in Xinjiang, China, is the largest such facility in China (possibly the world), holding perhaps 10,000 or more and embodying the plight of the Uyghurs and other mostly Muslim minorities. Western news organizations have only been able to report from the outside. But the Beijing-based team of enterprise journalist Dake Kang, photographer Mark Schiefelbein and news director Ken Moritsugu managed to get a tour, making the AP the first Western news organization to report inside the facility.

They delivered a vivid package on life inside the detention center, from numbered and tagged Uyghurs sitting ramrod straight to the instructions on force-feeding in the medical room. The journalists also revealed a disturbing new trend: China is moving from the temporary detention of Uyghurs to more permanent mass incarceration of people who have committed no real crime.

The story topped AP’s reader engagement for the week and drew comment from the U.S. ambassador to the United Nations who called China’s repression of the Uyghurs “horrific.”

For bringing the world rare insight into the detention centers where China holds Uyghurs, the team of Kang, Schiefelbein and Moritsugu earns AP’s Best of the Week award.