Best of the Week — First Winner

One shot: AP photographers reflect on covering the pandemic, and the image that most affected them

Since the start of the pandemic, AP photographers have been on the front lines of coverage, taking on risks to bring the world scenes of struggle, death, comfort and hope. And in many ways the images had a profound impact on the photographers themselves.

So as the world approached another grim pandemic milestone of 3 million deaths, New York photo editor Alyssa Goodman asked a group of 15 photographers from 13 countries to each select the one image from their virus coverage that affected them most, and describe why.  

The resulting package, elevated by the elegant writing of Rome reporter Nicole Winfield, offers compelling insight into the emotional impact of bearing witness and documenting the pandemic.

For adding a new and creative dimension to some of AP’s most deeply moving photography of the coronavirus pandemic, Goodman, Winfield and this dedicated team of photojournalists — representing their AP colleagues worldwide — earn AP’s Best of the Week honors. 

Beat of the Week

(Honorable Mention)

Women photographers, editors produce ‘Growing up Female’ gallery

for a thoughtfully produced global photo gallery that shows what it’s like to grow up female in 2018. https://bit.ly/2OwGKw3

Best of the Week — First Winner

AP photographers capture defining images of Tiger and Trump

This week we celebrate two very different, yet equally important photo wins.

David Phillip and the AP photo team assigned to the Masters tournament created some of the iconic images of Tiger Woods’ historic win – the result of strategic planning, teamwork and execution.

And Pablo Martinez Monsivais wins for his startling capture of the media reflected in the eye of President Donald Trump, taking what could easily have been treated as just another ho-hum daily Trump photo op and “seeing” something so different.

For delivering outstanding images from two contrasting but highly competitive assignments – and demonstrating how vital the AP is in the photojournalism world – Phillip and Monsivais share AP’s Best of the Week Award.

Beat of the Week

(Honorable Mention)

AP photographers own story of Mugabe drama, hit numerous front pages

for putting AP ahead in its coverage of the drama in Zimbabwe by gaining crucial pictures of Robert Mugabe long before the competition. http://nyti.ms/2BooWs7http://bit.ly/2isN8Wk

Best of the Week — First Winner

AP photographers show the despair, and hopes, of homeless along US West Coast

For three months, Associated Press photographer Jae Hong traveled America’s West Coast to chronicle the region’s exploding homeless crisis and do what many try to avoid: look into the eyes of the people living on the streets, in tents or in their vehicles and get to know them.

His series of intimate portraits focused on the subjects’ eyes and were combined with short text stories to reveal their humanity, whether it was an aging, down-on-his-luck street performer on Los Angeles’ Skid Row or a 9-year-old boy who lives with his family in a rented RV blocks from Google’s headquarters.

The unique portraits were one part of a larger package of images that Hong and his colleagues across the West – Ted Warren, Marcio Sanchez, Chris Carlson and Greg Bull – produced for a project looking at the roots of the homeless crisis in the region and identifying potential solutions.

For their work documenting the lives of the homeless, the team wins this week’s Beat of the Week prize.

Best of the States

A photographer’s unique vision merges past and present for front-line nurses

With the U.S. slowly emerging from COVID-19, it might be easy to assume that the pandemic will soon be in the past, but for many, particularly health care workers, the trauma of what they experienced while caring for deathly sick patients will be with them for years to come.

To capture the idea that the past can be part of the present, Los Angeles photographer Jae Hong focused on intensive care nurses at a Southern California hospital who had taken care of extremely ill COVID patients and, despite all efforts, had lost many. That ward closed this spring, but the memories endure for these nurses.

Hong’s approach called for a photo technique not typically used in reporting the news: He made multiple exposure portraits of 10 of the nurses in the hospital, resulting in haunting images that show each nurse both in the photo, the present, and seemingly somewhere else in the past.

Accompanied by revealing interviews, the piece played widely in the U.S. and beyond, and attracted attention on social media.

For arresting, interpretive photography that evokes the lingering effects of the pandemic on these front-line medical workers, Hong earns this week’s Best of the States award.

Best of the Week — First Winner

Only on AP: Heartrending images capture children across the globe who lost parents to COVID

Rarely does AP’s Best of the Week award go to an editor. But this week — a particularly strong one for AP with multiple exclusives — the honor is truly deserved by Top Stories Hub photo editor Alyssa Goodman. Goodman was the driving force behind “Kids Left Behind,” an extraordinarily moving photo package that takes an intimate look at children who have lost parents to the pandemic.

Goodman coordinated with photographers around the globe to find the young subjects, get permission to photograph and interview them, then make their portraits in a cohesive style.

The result was one of the most compelling packages AP has done in recent years, the photos complemented by poignant text moving many readers to tears, with stories ranging from a 10-year old in India who lost both parents in a matter of weeks, to video of a California 13-year-old performing the song she composed for her father’s funeral, on the guitar he gave her days before he died.

For generating an inspired and challenging project, handling it with sensitivity and tenaciously seeing it through in collaboration with global colleagues, Alyssa Goodman wins AP’s Best of the Week award.

Best of the States

Years of planning pay off in ‘picture perfect’ coverage of Bush funeral events

For more than a decade, Washington photo editor Jon Elswick has negotiated with the Department of Defense over coverage plans for the funeral of former President George H.W. Bush, while Houston photojournalist David Phillip fostered a relationship with the Bush family and their spokesman to secure AP’s shooting positions for the eventual funeral events.

Those relationships were crucial to arranging and executing coverage, paving the way for more than two dozen staffers to parachute into Washington, Houston and College Station, Texas, where they produced outstanding photos in real time and for the history books.

Among the highlights: Photographer Morry Gash fired a remote-controlled camera that captured a stunning bird’s-eye view of the U.S. Capitol rotunda during visitation and services, and David Phillip negotiated to shoot inside the railroad car carrying the coffin as the funeral train passed through Texas. Phillip called it “the most incredible event I have ever covered.”

The photo coverage was part of an impressive dayslong cross-format effort by scores of AP staff across the country and globe that included hours of live video and spot and breaking text, video, audio and graphics coverage that explored Bush’s life and presidency from every angle.

For exceptional planning and execution on one of the largest news events of the year, this week’s Best of the States goes to the team of photo staff covering the Bush funeral.

Best of the Week — First Winner

Reporter’s instincts, deep preparation break stunning news of Cosby case reversal and prison release

Comedian Bill Cosby had been in a Pennsylvania prison for more than two years last December when the state’s high court took on his appeal of his sexual assault conviction.

As seven months went by without a decision, Philadelphia-based legal affairs reporter Maryclaire Dale — who had been instrumental in breaking the original Cosby story — thought there might be something newsy in the works. Her instincts led to deep preparation that put AP ahead on one of the biggest news stories of the summer, one that almost no one but Dale had anticipated.

When the court tweeted out its opinion Wednesday, AP’s news alert moved within minutes, followed less than one minute later with a short breaking news story that Cosby's conviction was overturned, and that he would be released from prison. Both alerts beat all the competition; a full story moved less than two minutes later. Dale and colleagues followed up with full coverage throughout the day, with Cosby later appearing before cameras at his home, as the original news story drew heavy engagement online and maintained the top spot in Google’s news carousel.

For sharp anticipation and flawless execution that put AP ahead on a story that dominated the news cycle, Dale earns AP’s Best of the Week award.

Best of the Week — First Winner

AP delivers unmatched all-formats coverage as Russians protest jailing of Navalny

The moment opposition leader Alexei Navalny was arrested upon his return to Moscow, AP’s Russia team knew the weekend’s protests would be big.

Working in sub-zero temperatures, AP teams in every format, from the Russian Far East to the big cities of Moscow and St. Petersburg, delivered exceptional work capturing the scale and intensity of the protests — and the violent crackdown by police.

Excellent planning, experience and a wide network of freelancers across the country’s 11 time zones were among the factors that gave AP the edge over the competition. 

For determined, insightful coverage that captured the scope and political significance of the movement, the team of Tanya Titova, Alexander Zemlianichenko, Mstyslav Chernov, Kostya Manenkov, Dmitri Lovetsky, Pavel Golovkin, Daria Litvinova, Jim Heintz, Kirill Zarubin and Yulia Alekseyeva wins AP’s Best of the Week honors.

Beat of the Week

(Honorable Mention)

AP finds college activists pushing for reparations over past injustice

broke new ground on a competitive and fast-evolving national story: Amid accelerating efforts to pay reparations to Blacks and Indigenous Americans for injustices suffered over centuries, some of the most strident arguments for amends were coming from U.S. college campuses.Boston reporter Marcelo found that nearly a year after the killing of George Floyd sparked the latest national reckoning on racism, student and community activists from New England to the Deep South are demanding institutions take more ambitious steps to atone for past sins — from colonial-era slavery to more recent campus expansion projects that have pushed out entire communities of color.Marcelo anchored the project from Providence, Rhode Island, home to Brown University. The Ivy League school released an exhaustive historical report in 2006 and dedicated a slavery memorial in 2014, among continuing efforts to promote racial equity.Marcelo’s reporting was powerfully illustrated with visuals from Boston video journalist Rodrique Ngowi, photographer Steven Senne, as well as work from photographers Jacquelyn Martin in Washington, John Bazemore in Atlanta and Steve Helber in Richmond, Virginia.https://aplink.news/bdxhttps://aplink.video/p00

Beat of the Week

(Honorable Mention)

Deep preparation and experience put AP ahead on Mladic verdict

teamed up to provide exceptional coverage in all formats of the final verdict for Bosnian Serb military chief Ratko Mladic, in which U.N. judges rejected his appeals on charges of orchestrating genocide, crimes against humanity and war crimes, affirming his life sentence.Chief correspondent Corder worked closely with AP colleagues in the Balkans in the days leading up to the verdict to prepare for all the possible outcomes, preparing alerts and urgents for each, as well as for the possibility that victims’ groups could leak the verdict early. Knowing that the victims’ representatives are not always accurate, Corder held off on the alert until AP had the full verdict from the judges, and other major world media followed his lead.Photographer Dejong, who had covered Mladic’s appearances at the court over several years, patiently waited for the one moment during the long verdict when the ex-commander made a hand gesture — holding up his fingers as if clicking a shutter to mimic the photographers fixed on him. The image circled the world.AP had four different live shots up for a good part of the day on AP Direct and Live Choice, compared with a single courtroom feed that a major competitor accessed at the last minute. AP put out a video edit of the verdict 44 minutes ahead of the competition, and was much faster with reaction from the victims and their families in Sarajevo and Srebrenica, and from Serb veterans, comrades of Mladic and people in Belgrade.https://aplink.news/h1rhttps://aplink.video/ub0https://aplink.video/rz4https://aplink.video/gmx

Beat of the Week

(Honorable Mention)

Powerful photos anchor all-formats coverage of Florida condo collapse

delivered standout photo coverage of the Surfside, Florida, condo collapse, anchoring an impressive AP response in all formats.Lee was at home a few blocks away when the tragic, catastrophic story broke early Thursday morning. He quickly made his way to the scene to make some of the first images the world would see of the pancaked Champlain Towers South. His fast work on the ground also earned him a text byline, with customers and readers across the country waking up to a comprehensive AP story with his images. More AP journalists were soon on the scene digging into spot developments as well as the history of the building, churning out urgent series after urgent series and sensitively reporting the human toll, finding names and details of the missing to round out a well-received vignettes package. Early video also scored heavily with AP customers. Throughout the coverage, the photo team, led by Lavandier and South regional photo editor Mike Stewart, fought restricted access and had to innovate visually. Herbert first chartered a plane, then a helicopter, making handheld aerial photos with an 800mm lens from as much as two miles offshore as flight restrictions tightened. Then the team hit on the idea of using a boat. That allowed closer access but still required long lenses from a moving craft, with the photographers effectively timing their shots to coincide with the peaks and troughs of the waves to minimize movement. Competitors scrambled to emulate AP's strategy with their own vessels. AP wins on visuals included powerful photos by Sladky and Lavandier of people comforting each other, and three different AP photos rotating as the lead photo on Saturday’s New York Times home page — images showing the destruction, the rescue operation and the emotional toll. The Miami Herald praised AP’s visuals and has used much of the work, even as its own photographers produced strong content. The Herald and other members have shared some of their best images in AP’s photo report. In addition to AP’s photography, members have praised the all-formats coverage, including the “microstories” AP published practically in real time, showcasing good nuggets of information throughout the news cycles. Coverage of the collapse topped AP’s measures of readership and reader engagement for the month. https://apnews.com/hub/buildin...

Beat of the Week

(Honorable Mention)

AP Exclusive: Gaza family loses 22 people on war’s deadliest night

teamed up to tell the story of the heavy toll paid by Gaza’s civilians in last month’s war between Israel and Hamas militants, with scores of civilians dead and hundreds of homes destroyed. Looking for a way to tell that story, Laub and Akram went through a list of people killed in Israeli airstrikes, then noticed that the youngest and oldest victims came from the same family — the Kawlaks.The family of four generations lived next door to each other in downtown Gaza City, unprepared for the Israeli air raid that came at about 1 a.m. on May 16, causing homes belonging to the family to collapse. The Kawlaks lost 22 members that night — including the 89-year-old family patriarch and his 6-month-old great grandson who had just lost his first tooth. Three young nieces were found dead in a tight embrace, said one of the survivors. Israel said the strike, the single deadliest of the 11-day war, was aimed at Hamas military targets in the crowded Gaza City neighborhood. Middle East news director Laub and Gaza reporter Akram made a series of visits to the family hoping to interview them. At first, they were reluctant, but the AP pair managed to gain their trust, eventually gettting an exclusive all-formats interview. Thanks to their efforts, the family shared death certificates of all of the victims, along with photos of the men and children. For cultural reasons, the family chose not to provide photos of the women.With strong visuals from video journalist Dumitrache and photographers Hamra and Dana, the result was a compelling account of the terrifying night of the bombing, the family’s immense grief and poignant remembrances of lost loved ones.https://aplink.news/s78https://aplink.video/1mg

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY

Beat of the Week

(Honorable Mention)

South Africa team delivers in all formats as violence spreads

drew on experience and stamina for comprehensive all-formats coverage of the worst civil unrest in the country's post-apartheid history.Starting with a weeklong stakeout and fast, accurate reporting on the midnight arrest of former President Jacob Zuma for contempt of court, the story quickly shifted: Zuma’s supporters burned trucks on a main highway, blocking it and severing the port city Durban from other parts of the country — the first sign of worse trouble to come.With violence spreading to various locations through KwaZulu-Natal and Gauteng provinces, leaving scores of people dead, the crew of staff and freelancers delivered strong, distinctive visuals, including multiple video edits, live video of rioting at a Soweto mall, drone images and dramatic photos despite attacks on journalists.Amid the chaos, multiple reports of violence, deaths, looting were deftly edited day after day into a comprehensive report that also provided political and societal context referencing South Africa’s underlying economic problems. The story “‘I was in tears’: South Africans take stand against rioting” stands out in the week’s strong body of work.https://aplink.news/qqjhttps://aplink.news/436https://aplink.news/brxhttps://aplink.video/q6ghttps://aplink.video/uchhttps://aplink.video/6uk

Best of the Week — First Winner

A master class: AP teams deliver sweeping coverage of the migrant surge at the US-Mexico border

When the U.S.-Mexico border became a major front-page story again in recent weeks, the AP set out to tell the story of newly arriving Central American children and families in trademark AP fashion: with compelling all-formats journalism and richly reported viewpoints from migrants to bring perspective to readers on the topic of immigration.

Photographers Julio Cortez and Dario Lopez-Mills, reporters Adriana Gómez Licón and Elliot Spagat, and video journalists Eugene Garcia and John Mone answered the call and more, delivering a string of stories last week that amounted to a master class in how to cover the border.

Among the highlights were the story of a 7-year-old girl crossing the border without her parents in the middle of the night, the story of migrant families dumped by the Biden administration in a dangerous Mexican border town while other families in the same circumstance gained entry into the U.S., and in-flight coverage of a 5-year-old Honduran immigrant en route to Baltimore. The immersive multiformat work received tremendous play. 

For bringing to life the human stories of those seeking entry to the United States, especially the sharp increase in the number of families and children in recent weeks and the struggles of border officials to cope, Gómez Licón, Cortez, Mone, Spagat, Lopez and Garcia share AP’s Best of the Week honors.

Beat of the Week

(Honorable Mention)

All-formats exclusives examine Japan tsunami, 10 years on

produced a string of visually driven exclusives to feed global curiosity about how Japan has fared a decade after one of history’s worst tragedies — the massive earthquake, tsunami and nuclear meltdown that upended the lives of millions in 2011.Nuga and Hoshiko spent time on the battered northeastern coast while Yamaguchi, Tanaka and Komae made their way into the area around the Fukushima nuclear plant. The trips produced compelling before-and-after images of the wreckage, and all-formats vignettes of the lives of the survivors with explainers, galleries, videos and exclusive stories. Among the highlights were the moving story of a man who learned to dive so he could search, week after week, for for the remains of his wife, and gripping visual essays of the still-scarred landscape of northeast Japan, the eerie no-go zones near the nuclear plant and a hotel that has done weekly bus tours for hundreds of thousands of visitors interested in seeing the ravaged landscape. AP’s video showing was particularly strong, including footage of people symbolically searching the beach for bodies of the missing and quick live views of commemorative ceremonies across the country.https://bit.ly/3vBYckXhttps://bit.ly/38ONuxMhttps://bit.ly/2Q62S20https://bit.ly/3f1zFjthttps://bit.ly/3vyESEVhttps://bit.ly/3ttHTVm

Best of the Week — First Winner

AP story resonates globally: New Hampshire hermit loses home, finds himself back on the grid

The vividly told AP story of an 81-year-old man’s quest to remain in an isolated New Hampshire cabin hooked readers around the world, led to an outpouring of support and eventually prompted the man to reconsider his hermit lifestyle.

Reporter Kathy McCormack had begun by looking into a legal fight involving David Lidstone, a spritely man known locally as “River Dave.” He’d been living peacefully in a makeshift home for 27 years when the property owner moved to evict him. Lidstone refused to leave and was jailed in July; while he was in jail, his cabin burned to the ground.

McCormack’s reporting turned Lidstone’s difficulties into a powerful story, fleshing out the details of his life and the local efforts to help him stay put. The piece was an immediate hit, ultimately capturing more than a half million pageviews on AP News, making it the site’s most popular story of the week. McCormack and colleagues followed up with subsequent developments, including the groundswell of international attention Lidstone received and his move away from the reclusive life.

For bringing this engaging story to life and her persistence in following it through, McCormack wins AP’s Best of the Week award.

Best of the States

Effects of California drought documented in compelling all-formats content and presentation

With California sinking deeper into drought as wildfire season approaches, AP set out to show the drought’s impact on vulnerable areas — beyond the orange glow of burning homes. Top freelance photographers Noah Berger and Josh Edelson teamed up with reporter Adam Beam, focusing on the six reservoirs with the lowest water levels. 

Both photographers are trained and equipped with drones; they delivered stunning visuals, including boat docks beached on dry land, charred hillside homes overlooking a lake reduced to puddle-like status and boat launches that don’t even reach the water’s edge. Meanwhile, Beam conducted interviews and visited the massive Lake Oroville reservoir, where the deadliest U.S. wildfire in a century raged in 2018. 

The package was enhanced by digital storyteller Samantha Shotzbarger, who created a arresting presentation giving readers an immersive view of the evaporating reservoirs.   

For a revealing and forbidding look at the effects of California’s drought, the team of Berger, Edelson, Beam and Shotzbarger earns this week’s Best of the States award.