Maria Verza, contractor reporter, Mexico City, and Enric Marti, news director for Mexico and Central America, for an exclusive behind-the-scenes look at how weekly newspaper Riodoce is continuing its work after its founder and publisher was gunned down in the street in broad daylight. http://wapo.st/2w2GNFV
scrambled to provide timely coverage of Hurricane Sally. The storm was expected to hit Mississippi as a low-level hurricane, but at the last minute swung sharply to the east, forcing the AP team to regroup. Reeves and Herbert left Gulfport and hopscotched over Alabama to Pensacola, Florida. Wang stayed in Mobile while Plaisance moved from Louisiana to the Mississippi coast.Their flexibility meant unmatched coverage of the surprisingly strong storm. With the idea of getting photos to the wire fast, Herbert shot some pre-dawn pictures before the flooding could be assessed. When the sun rose, he stepped out of his hotel and took a series of photos that ended up defining the storm, the lead images on the apps for both the The New York Times and The Washington Post. Reeves gathered color to tell the stories of those impacted. Wang and Plaisance sent video that accounted for seven of the top 20 most used pieces of the week.https://bit.ly/32RAParhttps://bit.ly/2G578K3https://bit.ly/2RW4BVbhttps://bit.ly/3kzWSschttps://bit.ly/3hXvOS2https://bit.ly/33SW37c
for his piece on the state of student journalism around the country and how the problems of the newspaper industry are being mirrored on campuses across the country. But after some brutal years, there are signs of life: Enrollment in journalism programs is up. https://bit.ly/32Oyo5o
took readers deep into the heart of conservative America, with an up-close, unflinching portrait of residents of a small town who reject caricatures that paint them as gun-toting extremists, despite their sometimes shocking views on the future of democracy.Read more.
for capturing exclusive, dramatic visuals of lava spewing from the eruption of Kilauea in Hawaii. https://bit.ly/2s9yaFD
teamed up to break the news that American journalist Danny Fenster was free from prison in Myanmar and heading home via Qatar.Former U.S. diplomat Bill Richardon had unexpectedly announced the release during a routine call, setting the AP, which had covered Fenster’s detention closely, in motion. Building on close contacts they’d nurtured with Richardson’s team, AP coordinated with its bureaus across continents to meet Fenster and Richardson en route to deliver visuals, video and text in advance of the competition.Bangkok reporter Grant Peck, alerted to the release by Southeast Asia news director Kiko Rosario,broke the news that Fenster was free and traveling with Richardson. Peck and Asian-Pacific correspondent David Rising anchored the fast-moving story, then Asia news director Adam Schreck worked with his Persian Gulf counterpart, Jon Gambrell, who arranged for a freelancer to get comments and visuals of Fenster in Qatar.The Asia team also coordinated with New York. where photographers Craig Ruttle and Seth Wenig captured images of Fenster’s arrival. Reporter Bobby Calvan, with video journalists Ted Shaffrey and Joe Frederick, then secured interviews with Fenster and Richardson after their news conference.https://aplink.news/d62https://aplink.news/5zghttps://aplink.video/21fhttps://aplink.video/7rx
navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY
for a nuanced story of a community coming together to support their local newspaper, the Capital Gazette in Annapolis, Maryland, in the year since a mass shooting killed five people at the paper. The paper’s surviving staff are recommitted to covering the community, using their craft to work through their trauma, while subscriptions have surged and random readers hug reporters on the job, Witte reported. https://bit.ly/2RPdkrw
for risking gunfire, tear gas and police arrest to bring to the world images of the anti-government unrest roiling Venezuela for the past three weeks. https://www.apnews.com/95fa53c88382410da… http://www.dailymail.co.uk/wires/ap/arti…
kept AP ahead of the competition throughout coverage of the first U.S. cruise ship to be struck by the coronavirus, repeatedly scoring exclusive photos and video from passengers stuck aboard the ship. After learning about the ship, Rodriguez began scouring social media looking for passengers and stayed in touch with them for several days, some of them becoming citizen reporters on the ship, sending regular updates, photos and video to AP.https://bit.ly/2TLsyADhttp://bit.ly/3aHzOCYhttp://bit.ly/39yMBYi
spent a chunk of Election Day documenting George Floyd’s brother in New York.With racial justice a central issue in the election, race and ethnicity reporter Morrison thought it fitting to tell a story through the lens of someone who lost a loved one to police violence. He had met Terrence Floyd, the younger sibling of George Floyd, in Minneapolis over the summer at the spot where a white police officer pressed his knee into Floyd’s neck for nearly eight minutes. Terrence, who lives in New York, agreed to let Morrison shadow him exclusively as he rode around the city in an SUV calling on a loudspeaker for people to vote, and later while waiting for election results at a watch party. At one point Terrence chanted “Don't forget to vote!” in rhythm with musicians outside a Brooklyn museum, a moment captured by Morrison, photographer Franklin and video journalist Shaffrey.https://bit.ly/38FgXe2https://bit.ly/3kqmQyb
for detailing the confusion, chaos and fear inside the plane when a Southwest Airlines plane’s engine exploded, breaking a window and pulling one passenger halfway out the aircraft to her death. In other stories, they profiled the heroic pilot who landed the plane and broke news that the FAA would order inspections of engine fan blades like the one that caused the accident. https://bit.ly/2Kixp5z
definitively examined, from six continents and in all formats, the impact of climate change, merging the science behind a major — and sobering — United Nations report with the voices of people who are living it.Weeks before the Feb. 28 release, climate news director Peter Prengaman, reporters Seth Borenstein and Frank Jordans, both veterans of climate coverage, and Stockholm-based video journalist David Keyton brainstormed the plan, putting AP’s global footprint to use: Instead of just one big, all-formats story — the norm for previous reports by the Intergovernmental Panel on Climate Change — AP would use the report as a jumping-off point to explore the state of climate change from each continent. Read more
When the Taliban overran Kabul on Aug. 15, no one in the city knew if the Taliban would resume the brutal practices that carried them to power in 1996 — or would they show some restraint?
Kabul video journalist Ahmad Seir and photographer Rahmat Gul remember the previous Taliban rule, but like their AP colleagues, they were determined to record history. The pair took to the streets. Despite being beaten with rifle butts at a Taliban checkpoint near the airport, they persisted, eventually gaining the trust of Taliban fighters at a checkpoint near AP’s office. Seir and Gul went on Taliban patrols, delivering unique video and photos of the militiamen now in command of Afghanistan.
Those rare images, along with spot features that included daily life in the capital and an interview with a female activist now in hiding, played at the very top of AP’s offerings for the week and reflected the tireless efforts of everyone in AP’s Kabul office who pushed aside their own fears and personal concerns to continue reporting in all formats.
For their historic and important work, thorough professionalism and unbound bravery, Seir and Gul share AP’s Best of the Week honors.
At great personal risk, AP’s team in Mariupol produced some of the bravest, most revealing work out of Ukraine. The backstory of their determined reporting is masterfully retold by Paris-based writer Lori Hinnant in a blockbuster, all-formats package that riveted readers around the world.
The stunning video, photos and text produced during 20 days and nights in Mariupol also contributed to an impressive AP collaboration with PBS Frontline, documenting Russian attacks on medical facilities, ambulances and medics — a deeply reported package in an ongoing effort to build the case for war crimes.
For extraordinary work in Mariupol and for telling the tale of the AP’s courageous journalism there, Mstyslav Chernov, Evgeniy Maloletka, Vasylisa Stepanenko and Lori Hinnant share AP’s Best of the Week alongside the war crimes reporting team of Erika Kinetz, Michael Biesecker, Beatrice Dupuy, Larry Fenn, Richard Lardner, Sarah El Deeb, Jason Dearen and Juliet Linderman.
The U.S. surpassed a solemn milestone on Feb. 22 with 500,000 COVID-19 deaths — a moment in the pandemic that required thoughtful planning and storytelling, and precise execution across the AP for the coverage to stand out.
Editors began planning weeks in advance. They wanted impactful photo and video packages, lightning-fast spot coverage of the milestone being reached, and a text story to anchor the report that was different from AP’s previous recognition of 100,000, 250,000 and 400,000 deaths.
The result was a package that resonated in all formats.
For meeting the grim milestone with compelling, comprehensive coverage, the team of Adam Geller, Jocelyn Gecker, Alyssa Goodman, Pete Brown, Eugene Garcia, Manuel Valdes and Krysta Fauria wins this week’s Best of the States award.
collaborated on a multinational project, talking to kids about living with the coronavirus and asking them to use art to show what they believe the future might hold. Some sketched or painted, while others sang, danced ballet or built with LEGOs. A few just wanted to talk. The video interviews, story and photos, along with the kids’ art and a masterful presentation on AP News – brought their stories to the world in an intimate, engaging package.https://bit.ly/3cBzRAMhttps://bit.ly/2A4kOCr
teamed up to mine The Facebook Papers — thousands of pages of internal company documents obtained by Frances Haugen, the former Facebook product manager-turned-whistleblower and the source for earlier reporting by The Wall Street Journal.And as it so often does, AP took the lead on coordinating Monday’s embargoed reporting among 17 U.S. news outlets more more accustomed to competition than collaboration. AP also served as a liaison to a separate European consortium. The result was an overwhelming flood of insightful journalism from dozens of outlets on two continents, and potentially hundreds of stories in subsequent weeks as more documents become available.Some of the AP’s own stories stood out in that flood for their depth and storytelling. More than a dozen colleagues spent days poring over the documents in every region. These stories included a look at Facebook’s struggle to curb problematic content in other languages; how the company enabled the trafficking of Filipina housemaids; and examinations of Facebook’s failure to curtail misinformation on the 2020 Election and COVID-19 vaccines.https://apnews.com/hub/the-fac...https://aplink.news/uke
delivered a distinctive enterprise package, shining light on the little-recognized 1906 Atlanta Race Massacre which involved the killings of at least 25 Black people and the destruction of Black-owned businesses.Warren, an Atlanta desk editor who also writes and edits for the AP’s Race and Ethnicity Team, has a passion and eye for history, particularly overlooked events related to race. Through diligent source work and reporting — and despite the misgivings of some Atlantans — he and multiformat colleague Sharon Johnson developed an engaging all-formats package raising awareness of the massacre and making it relevant to the current racial reckoning in the U.S.Read more
for a widely played second installment of the series, Trump Country. The AP journalists got the people of Androscoggin County, Maine, a community revived by refugees, to open up about the anti-immigrant fervor that helped elect Donald Trump, who carried the county. https://apnews.com/7f2b534b80674596875980b9b6e701c...