for striking images and stories of migrants from a two-week embed on a rescue ship operated by a Spanish volunteer group. http://nyti.ms/2c0ZZIF
for analyzing census data to show that rising sea levels and fierce hurricanes have failed to stop relentless population growth in southwest Florida and south Texas in recent years. http://to.pbs.org/2fiXCX4
for pursuing the story that an Iranian airline backed by the Revolutionary Guard was flying into Europe and Asia in violation of US terror sanctions. http://apne.ws/2eE79SG
for breaking the news that the Trump administration considered a proposal to mobilize the National Guard to arrest and deport millions of unauthorized immigrants in 11 states, from Oregon to Louisiana – far from the Mexico border. Story: http://apne.ws/2lriwnf Document: http://bit.ly/2kS7TXC
for strong source work to break the news that two correctional officers had been offered, and then rejected, a plea deal in the investigation of Jeffrey Epstein’s suicide. The two officers were suspected of having forged duty logs. https://bit.ly/2QzQ3LH
for being ahead on the deportation of a 95-year-old New York resident back to Germany for allegedly having been a Nazi concentration camp guard. Receiving a tip that the deportation was imminent, they prepared a detailed look at the case moving minutes after the deportation was confirmed. https://bit.ly/2wxorMlhttps://bit.ly/2Nwj2eW
For three months, Associated Press photographer Jae Hong traveled America’s West Coast to chronicle the region’s exploding homeless crisis and do what many try to avoid: look into the eyes of the people living on the streets, in tents or in their vehicles and get to know them.
His series of intimate portraits focused on the subjects’ eyes and were combined with short text stories to reveal their humanity, whether it was an aging, down-on-his-luck street performer on Los Angeles’ Skid Row or a 9-year-old boy who lives with his family in a rented RV blocks from Google’s headquarters.
The unique portraits were one part of a larger package of images that Hong and his colleagues across the West – Ted Warren, Marcio Sanchez, Chris Carlson and Greg Bull – produced for a project looking at the roots of the homeless crisis in the region and identifying potential solutions.
For their work documenting the lives of the homeless, the team wins this week’s Beat of the Week prize.
led an AP team producing a visually rich, deeply reported package examining a vast expansion of natural gas facilities in coastal Southwest Louisiana that is escalating greenhouse gas emissions, raising global temperatures, fueling extreme weather and imperiling communities.Reporting from coastal Southwest Louisiana, energy reporter Bussewitz and national multiformat journalist Irvine captured the lives of families hurt by extreme weather linked to a build-out of liquefied natural gas export terminals. But the two went further: They depicted an urgent concern: Where once it looked as if the nation might soon shift away from fossil fuel industries, a reversal has occurred. The U.S. has become the world’s largest exporter of LNG, with worrisome consequences for Gulf Coast residents and the planet’s climate.A few news organizations, mostly local or niche environmental publications, have reported previously on this issue, but none have had the depth and range of AP's package, with its data, visuals and reporting on human impact.Read more
for a report that the Trump administration is considering using military bases as other federal properties on the West Coast to export coal and natural gas to Asia after several major port proposals have been blocked by coastal states. https://bit.ly/2J2Xzca
On the news-heavy weekend between impeachment and inauguration, Lolita Baldor broke a story that became the dominant item for news organizations across platforms: Top military officials feared insider attacks from National Guardsmen activated to protect the inauguration, prompting the FBI to vet all 25,000 troops sent to the city.
And officials weren’t whispering their concerns anonymously; Baldor quoted the Secretary of the Army, Ryan McCarthy. That was no fluke; Baldor has built trust with McCarthy and other top officials at the Pentagon. The Army granted her exclusive, off-the-record access to an inaugural planning session, then arranged on-the-record interviews with a number of leaders.
Baldor’s scoop immediately lit up social media and was picked up by some 330 news outlets, including networks and major publications.
For impressive source work that produced a major scoop in the intensive buildup to the inauguration, Baldor wins AP’s Best of the Week award.
produced three moving photo essays that intimately portray the daily lives of two nurses and a doctor in northern Italy who agreed to not only let AP into their workplaces, but their homes. The team set out to capture with context and detail what a day was like for health care workers, showing their efforts – sometimes fruitless – to help patients survive the coronavirus, and the sacrifices they must make to avoid bringing the virus home to their families.https://bit.ly/3aBVgc6https://bit.ly/2zuerbfhttps://bit.ly/3eQyLUq
The AP’s groundbreaking investigation of racism and discrimination at the five elite U.S. military academies — based on experiences related by many graduates of color and exclusive analysis of decades of data — exposed racial gaps in the makeup of the academies’ student bodies and graduation rates, despite assurances of diversity and inclusion by the armed services.
Reporters Aaron Morrison and Helen Wieffering, and video journalist Noreen Nasir, gained the trust of current and former academy attendees who described discriminatory treatment, including experiences of being singled out for nonexistent infractions or treated like stereotypes.
Data intern Jasen Lo handled the analysis of demographics and graduation rates, finding that at the Naval Academy, for instance, there were 73 Black midshipmen in the class of 2000 — and just 77 in 2020. Black midshipmen also had the lowest graduation rate of any racial group at the academy.
For an enlightening and enterprising story that showed how far the U.S. military still needs to go to rectify racial inequality at its prestigious service academies, the team of Morrison, Wieffering, Nasir and Lo earns Best of the Week — First Winner.
took advantage of agency exclusive all-formats backstage access at the Grammy Awards, resulting in a wealth of interviews for video, and photo access unmatched by wire service rivals. Isaza, Landrum and Pizzello underwent numerous COVID-19 screenings in the six days leading up to the show in order to gain access. That access came about because of the AP’s decade-plus relationship with the Recording Academy — and a firm stand by AP: Some artists demanded approvals of performance photos, which the AP declined, and some talent said they would only do interviews if certain questions were off limits. Again, no.The AP landed at least 20 video interviews with stars such as Dua Lipa, Da Baby, Miranda Lambert and H.E.R, touching on fashion, racial injustice, their pandemic experiences, the return to performing and more. The biggest wins were photos of Beyoncé and Taylor Swift, both rarely photographed by AP, on their big night. AP was one of four photo outlets onsite and the only photo news wire. Competitive news services were forced to use years-old pictures of the pair, as well as several other stars, with their stories.Isaza produced a behind-the-scenes video feature, and Fekadu’s mainbar — powered by photos from Pizzello and Strauss, and quickly updated thanks to his preparedness — racked up nearly 110,000 pageviews by Monday afternoon. Google listed AP’s story first in searches for Grammys or Beyoncé during the evening. https://apnews.com/hub/grammy-awards
crafted a tender, poignant photo package of nursing home residents in Spain hugging their relatives through protective sheets of plastic, his images almost instantly resonating among audiences worldwide. “One of the most moving epidemic-era photos I have seen,” wrote one Twitter user. Another called it “an ode to love and so heartbreaking. Terrific work.” Multiple media organizations including The Guardian and CNN included Morenatti’s work in their must-see photo collections of the week. https://bit.ly/2YK0iRg
explored the apparent disparity between the response to the Jan. 6 attack on the U.S. Capitol and last year’s racial justice protests.New York-based race and ethnicity writer Aaron Morrison had watched President Donald Trump’s supporters storm the Capitol and reasoned that the protesters who called out racial injustice over the summer wouldn’t have been allowed to get close enough to the Capitol to breach it. Morrison and the AP team set out to examine the circumstances.Sources gave Morrisons interviews or statements saying that Black people who protest systemic racism are often met by police or National Guard troops equipped with assault rifles and tear gas. However, they pointed out, the mostly white mob that attacked the Capitol was met by an underwhelming law enforcement presence.Urban affairs reporter Gillian Flaccus contributed to Morrison’s reporting from Portland, Oregon, where Black Lives Matter advocates quickly noted the discrepancy between Trump’s response to racial justice protests in the Pacific Northwest city and his encouragement of the violence in the halls of Congress.Washington-based broadcast producer Padmananda Rama interviewed newly sworn-in St. Louis Rep. Cori Bush, who said the race of the Capitol rioters played a big part in their ability to breach the building; her video was packaged with the text piece. And Top Stories Hub photo editor Alyssa Goodman pulled together several images contrasting how the last week’s insurrection was handled as opposed to the racial justice protests.The violent breaching of the halls of power on Capitol Hill represented “one of the plainest displays of a racial double standard in both modern and recent history,” Morrison wrote.https://bit.ly/3bCEcqvhttps://bit.ly/38HK0x2
used journalistic savvy and resourcefulness to overcome both an internet ban and AP’s competitors to deliver outstanding all-formats coverage of Uganda’s Jan. 14 presidential election.Uganda had gone to great lengths to discourage international observation of the polls. Just getting into the country with all-important live broadcast equipment required driving into the country at a less-policed border point.And Uganda was widely expected to cut its internet on election day. When it did, reporter Muhumza was unfazed, having wisely filed comprehensive advance copy to colleagues outside the country. He updated with key quotes and details sent by text message.Despite the internet cut, the video team of Kasire and Mwihia noticed that international roaming data was still working. They promptly switched all the SIM cards in their LiveU unit, delivering an incredible four-hours of agency-exclusive live video showing polls opening and heightened security. Authorities eventually got wise and cut off roaming data too.Meanwhile, Delay’s decision to rent a vehicle with black-tinted windows also paid off, allowing him to move around the capital to make compelling photos of security forces without drawing unnecessary attention.Ultimately, the team used its local contacts and managed to negotiate their way into the heavily guarded state broadcaster, where they continued to discreetly file developments for days via state TV’s still operational fast internet — an enormous edge over our competitors who had to rely on much slower communications. The final triumph was to patch and broadcast, live and exclusive, a clean feed of President Museveni's national address on his win.https://bit.ly/39FxH3Chttps://bit.ly/2KEm8l0https://bit.ly/396i1Hy
The end of May saw unprecedented news: The coronavirus pandemic continued to spread infection and wreak economic havoc around the globe, while much of the world’s attention pivoted suddenly to protests across the U.S. that spread to Paris, London, Australia and elsewhere after the suffocation death of George Floyd in Minneapolis on May 25.
This week’s Best of the Week recognizes AP’s work surrounding each of those mega-stories, with top honors going to Baltimore-based photographer Julio Cortez for his iconic photo of a protester holding an American flag aloft, and to the AP all-formats team in Brazil for continuing coverage of the virus in a nation being ravaged by COVID-19.
used campaign finance reports to document North Dakota Gov. Doug Burgum is helping bankroll a political action campaign aimed at unseating a powerful legislator and fellow Republican who had frustrated some of Burgum’s goals. Burgum was elected in 2016 as an outsider businessman, and has long clashed with the state’s Republican old guard, including House Appropriations Chairman Jeff Delzer. https://bit.ly/2LM84CL
produced a string of visually driven exclusives to feed global curiosity about how Japan has fared a decade after one of history’s worst tragedies — the massive earthquake, tsunami and nuclear meltdown that upended the lives of millions in 2011.Nuga and Hoshiko spent time on the battered northeastern coast while Yamaguchi, Tanaka and Komae made their way into the area around the Fukushima nuclear plant. The trips produced compelling before-and-after images of the wreckage, and all-formats vignettes of the lives of the survivors with explainers, galleries, videos and exclusive stories. Among the highlights were the moving story of a man who learned to dive so he could search, week after week, for for the remains of his wife, and gripping visual essays of the still-scarred landscape of northeast Japan, the eerie no-go zones near the nuclear plant and a hotel that has done weekly bus tours for hundreds of thousands of visitors interested in seeing the ravaged landscape. AP’s video showing was particularly strong, including footage of people symbolically searching the beach for bodies of the missing and quick live views of commemorative ceremonies across the country.https://bit.ly/3vBYckXhttps://bit.ly/38ONuxMhttps://bit.ly/2Q62S20https://bit.ly/3f1zFjthttps://bit.ly/3vyESEVhttps://bit.ly/3ttHTVm
collaborated on sweeping coverage of the Biden-Putin summit that outpaced all the competition.In advance of the summit, AP chased down all the moving parts, staying in touch with local officials and the U.S. mission, clarifying early on where the events would happen and establishing positions.Thanks to that preparation, the truly international video crew delivered outstanding live shots and features, including the summit venue at Parc de La Grange, security, arrivals and departures, reactions of residents and diplomats, protests and impressive shots of the city, among them a continuous live shot from the balcony of Geneva’s Ritz-Carlton from sunrise to sunset. AP offered more live signals and was faster than other outlets, offering more video edits and content than our main competitors.Meanwhile, text reporters from Washington and Moscow combined to put together smart enterprise and preview pieces, then quickly, deftly but firmly shifted to the main event, chronicling the day’s spot developments — a job that required throwing a few shoulders to get through the media scrum and past a Russian security guard for access to the opening photo op of the two leaders seated in a small study. AP managed to pose two questions to Putin that would dominate his post-summit news conference a few hours later: What would he do if Ukraine joined NATO? And why was he so afraid of opposition leader Alexei Navalny? At that, several members of Russian security pushed AP’s reporter from the room.The reporting team in Geneva, working closely with the Washington-based trip desk, filed a running stream of alerts and updates on spot developments, along with sidebars and takeaways on the upshot of the two leaders’ meeting.The photo team, drawing on Moscow, Washington and European staffers, was no less formidable. AP’s initial images of Putin and Biden together were the first to reach our clients, beating the opposition by almost two minutes. Remote photo editing in Washington ensured fast and seamless delivery of images, completing AP’s standout performance across all formats.https://aplink.news/89rhttps://aplink.video/vufhttps://aplink.video/u67
