for being first to report that workers at the Nissan plant in Canton, Miss., had voted against forming a union – one of two scoops on the day of the vote. http://bit.ly/2vP349F
spent two weeks accompanying home health care workers and emergency medical personnel as they tended to isolated and elderly patients in Spain, some of whom survived the Spanish Civil War and are now enduring new coronavirus. With exquisite visual storytellling, Morenatti captured both dedicated health care professionals and a frail, vulnerable generation, not only in the patients’ masked faces but in their artwork, religious icons, trinkets and family photographs – the artifacts of a lifetime. The unique images, unmistakably European, are at once beautifully realized, intimate and heartbeaking. https://bit.ly/2V9nvKS
tell the arresting stories of Ukrainians who have lost limbs to Russian attacks.Madrid-based Chief Photographer Morenatti, who lost his left leg in 2009 while on assignment covering the conflict in Afghanistan, says people who have experienced amputation share a camaraderie, and that he now prefers to document victims left behind by “this damned war," far removed from the front lines.He and Athens Bureau Chief Becatoros worked through local contacts and searched hospitals for the right subjects to convey the varied experiences of those who had their lives suddenly and violently upended. With intimate images and evocative text they convey the brutal consequences of war — “Beyond any human logic,” Morenatti says — for men, women and children suffering permanent loss and facing long journeys of recovery and reconciliation.Read more
for capturing emotional images of Gov. Dannel Malloy announcing unexpectedly that he would not seek reelection. The photos widely used on members’ front pages and websites http://bit.ly/2obtW1i
for using their contacts with candidate Emmanuel Macron’s campaign to ensure that AP was chosen for the first time to be the main provider of facilities for international broadcasters at a major news event in Europe.
for his work to broadcast President Donald Trump’s 2020 re-election bid rally live and uninterrupted. Replogle had arranged with local tech organizers to secure a fiber line for AP, an investment that paid off when the satellite pool signal went down, leaving the networks and competitive agencies in the dark. ABC live channel turned to us for the remainder of the rally, and AP’s on-site Global Media Services (GMS) clients had a continuous feed. https://bit.ly/2NrVbSi
When New York photo editor Pablo Salinas alerted colleagues to the image of a drowned father and daughter from El Salvador lying face-down in the Rio Grande after they tried to cross into Texas, it was clear it captured, like few other images, the dangers faced by migrants and asylum-seekers trying to make it to the United States.
AP’s much-applauded decision to acquire and publish that image by freelance reporter Julia Le Duc, showing the stark and often-hidden reality of migrants dying by the hundreds each year along the U.S. border, showcased AP’s significant role in shaping the news agenda.
It also stands as a lesson for AP staff with several important takeaways, highlighting the role of editors to find, gather and acquire important images for AP’s global audience, the role of AP’s Top Stories Hub to coordinate and amplify news stories, and the value of rapid response by journalists in the region to verify, report and provide context for any news-making picture.
Finally, it showed how the thoughtful implementation of AP’s standards across all platforms and social media can allow AP to stand out.
For an exceptional multinational effort in finding, recognizing and acquiring Le Duc’s tragic and important image, and presenting it to AP’s worldwide audience with context and sensitivity, the team of Pablo Salinas, Marcos Alemán, Eduardo Verdugo, Rebecca Blackwell, Chris Sherman, Gerardo Carrillo and Peter Orsi shares AP’s Best of the Week award.
for shedding light on an overlooked aspect of the opioid epidemic: how homeless heroin addicts are being turned away from treatment because they lack photo IDs. http://bit.ly/2uiehAi
delivered a stunning and disturbing account of the years of dysfunction behind Beirut’s massive explosion that killed at least 180 people. Based on exhaustive reporting and source work, the AP team produced the most detailed, comprehensive lead-up to Aug. 4, including what is known of the cargo, paper trail, circumstances and missteps that led to the devastating blast. https://bit.ly/34JIJUK
for leading all-formats coverage of the synagogue shooting in Poway, California. AP’s photos led in the hometown paper, and Taxin was able to interview a child survivor in her home.https://bit.ly/2V3kQE3https://bit.ly/2VyQ8Cihttps://bit.ly/2H1gfK5
From major breaking news in the U.S. to unmatched international enterprise reporting, two very different entries — worlds apart but united by excellence — produce a rare joint winner for AP’s Best of the Week.
First, AP’s teamwork delivered unmatched breaking and explanatory cross-format coverage around the verdict in the Derek Chauvin trial, a case that framed the conversation on race and policing. Then, the trio of Cara Anna, Nariman El-Mofty and Mohaned Awad produced a riveting package on a Tigray father’s harrowing journey with his newborn twins, a stark illustration of the devastating war in Ethiopia’s Tigray region.
For powerful journalism that defines the range and depth of AP’s global coverage, the all-formats teams behind this compelling work share AP’s Best of the Week honors.
spent a week on assignment in Western Sahara, gaining exclusive access to a little-seen but vital piece of the migrant smuggling chain — boats that are built to order, then spirited from the remote desert sand to carry migrants to the Canary Islands. A European Union agency calls it “the most dangerous migratory route in the world.”El Shamy, North Africa photographer based in Rabat, Morocco, was closely monitored by security agents in the disputed territory, but was able to slip into the desert in company with locals. There, he was introduced to a senior member of a smuggling network and was able to convince the smugglers that he would protect their anonymity while photographing them at work. His initiative and courage were rewarded with striking images and detailed reporting on the thriving trade of supplying boats for the perilous Atlantic migrant route.https://bit.ly/3t1Wc43https://bit.ly/3cmUZyo
“Who do you believe?”
In the defining moment of the US-Russia summit in Helsinki, President Donald Trump stood side-by-side with Russia's Vladimir Putin and appeared to side with Russian denials when asked whether Moscow meddled in the 2016 election.
The crystal-clear question came from AP White House reporter Jonathan Lemire, who asked Trump to choose between Putin and his own intelligence agencies.
The exchange, and an equally bold couple of questions to Putin, was the capstone of a grueling weeklong reporting effort by Lemire and fellow White House reporter Jill Colvin as they chronicled Trump’s tumultuous travels across Europe. The two, working in cooperation with colleagues in Europe and Russia, delivered smart spot reporting and strong enterprise at every stop on the president’s jaw-dropping trip.
For their exhaustive and highly impactful work, they win Beat of the Week.
teamed up to present the strongest case yet that Ethiopia has conducted a campaign of ethnic cleansing against its Tigray minority, who have claimed for months that thousands are being killed, raped and starved by the Ethiopian government and its allies.East Africa correspondent Anna and Cairo-based photographer El-Mofty conducted meticulous interviews with 30 refugees in Sudan who had fled their homeland, as well as aid workers and officials. Person after person described multiple killings, and several women and medical workers described mass rapes. Many warned that deliberate starvation had already started. The journalists also documented hard evidence of the ethnic cleansing, in the form of an identity card that completely removed all references to the Tigray minority. “I kept it to show the world,” one refugee said.El-Mofty’s photos were stunning, and a freelancer joined the team to take video footage. The package included an animated graphic of the identity cards by Peter Hamlin, and presentation by Natalie Castañeda.The deeply reported story sparked immediate reaction, and the Ethiopian government was provoked to reply, criticizing “the rush to accuse the government” and calling Tigray forces “a criminal enterprise.” But one researcher told Anna, “You just wrote the most harrowing report about Tigray to date.” Even the bureau chief of a major competitor called the story “beautifully written,” saying he was “super jealous.”https://bit.ly/3aaiLLVhttps://bit.ly/2ORR2ILhttps://bit.ly/3dk9Idu
landed an exclusive all-formats interview with U.S. climate envoy John Kerry just weeks before a critical global climate conference, breaking news on the administration’s limited expectations for the meeting and Kerry’s concerns about the stalled infrastructure bill. The piece showcased ”The AP Interview,” a series of sit-downs with key newsmakers.Knickmeyer had long sought a Kerry interview and the timing was ideal in the run-up to the Glasgow, Scotland, conference, but the Washington reporter was promised only 15 minutes with the former secretary of state. Knowing Kerry’s decades of experience in fielding reporters’ questions and managing interviews, Knickmeyer prepared extensively to ensure a revealing interview. She honed a handful of concise, targeted, hard-to-deflect questions after consulting with outside climate experts and AP colleagues.
When the time came, Knickmeyer pressed Kerry for specific answers, politely but repeatedly interrupting when he sought to move the conversation to more upbeat topics. In the short interview she asked variations of the question on Biden’s climate legislation four times. Kerry’s comments represented a swing to a more realistic assessment of the trouble facing Biden’s signature climate initiatives, and the global impact.The resulting all-formats package — including video shot by Huff and edited by Brown — had impact, with many news outlets using AP’s content directly, and others citing AP’s work in their own reporting. Washington reporters pressed administration officials on Kerry’s comments to AP for days.https://aplink.news/t4ahttps://aplink.video/63u
highlighted the critical and underappreciated work of cleaning crews maintaining COVID-19 intensive care units. The idea for the story came to Becatoros AP’s Southeast Europe bureau chief based in Athens, Greece, as she watched workers in full protective gear making beds in the hospital across the street from her home. She and chief photographer Stavrakis then spent months navigating the health care and governmental bureaucracy to get access to a hospital where AP had shot photos early in the pandemic. Stavrakis was eventually granted access to photograph cleaners in five of the hospital’s ICUs, and Becatoros was allowed up to the door from where the ICU was clearly visible. All the cleaners they spoke to were eager to tell their story, giving voice to a group of laborers who have remained out of the public eye despite taking similar risks as doctors and nurses while preventing the spread of the virus inside hospitals. https://bit.ly/3cIm6Eehttps://bit.ly/3rtb3Db
This week two distinctly different bodies of work share AP’s weekly honors for their outstanding coverage:
An all-formats team in Minsk, Belarus, facing constant police intimidation, continued to provide extensive coverage of mass protests over the nation’s disputed presidential election. That work included exclusive video of a bloody protester falling to the ground dead in front of heavily armed police, footage that forced the government to reverse its narrative of the incident.
And in work of a different dimension entirely, New Delhi photographer Altaf Qadri spent many months documenting life along the 1,700-mile River Ganges, considered sacred by almost 1 billion Hindus in India.
Starting with a treacherous two-day hike to the foot of the Himalayas – the remote source of the Ganges – and ending in the fast disappearing mangrove forests of the Sundarbans, Qadri captured a breathtaking range along his odyssey: celebration and death, solitude and fellowship, daily life and holy rites.
For extraordinary work in enterprise and spot news journalism, Altaf Qadri and the Belarus team of Mstyslav Chernov, Sergei Grits, Yuras Karmanau, Dimitri Kozlov and Dmitri Lovetsky share AP’s Best of the Week award.
for breaking the news of an imminent international plan to evacuate trapped Syrian White Helmets from southern Syria via Israel.https://bit.ly/2vwLplvhttps://goo.gl/3JfJ4v
tells with sensitivity the story of struggling Ethiopians, including an impoverished single mother, illustrating how decades of global progress against extreme poverty are in danger of slipping away because of the COVID-19 pandemic. With photographer Mulugeta Ayene, Meseret reports on a mother and daughter in Ethiopia – the mother’s hopes for her daughter representing the slow emergence of country’s middle class – and how those hopes are crumbling amid the pandemic.Meseret and colleague Cara Anna weave in World Bank data, putting the story into global context. The world could see its first increase in extreme poverty in 22 years, with up to 100 million more people worldwide falling into the bitter existence of living on just $1.90 a day, further sharpening social inequities. https://bit.ly/2Q29afI
for being first with the final death toll in an Oakland warehouse fire, for using social media reporting to quickly tell the unusual story of the warehouse and its creator, and for drawing troubling parallels with a Rhode Island fire. http://bit.ly/2hjnIaH http://abcn.ws/2gxSGbm https://yhoo.it/2hu48H1 http://abcn.ws/2hqldE8
