for their all-formats coverage of a grenade attack aimed at Ethiopia’s new prime minister during a massive rally. https://bit.ly/2lIhXVd
for providing comprehensive coverage of the NBA All-Star weekend, including cell phone video he shot of former President Barack Obama making a surprise appearance at an event. The footage was one of several stories that Reynolds produced that made AP the go-to news source during the weekend, including stories on Kobe Bryant tributes, the league’s plans to play in China despite the COVID-19 outbreak, and a story with Steve Reed revisiting the 1988 dunk contest through interviews with Michael Jordan and Dominique Wilkins.https://bit.ly/2HFAo7Mhttps://bit.ly/327QWyKhttps://bit.ly/2vJIwld
The disappearance and killing of Washington Post columnist Jamal Khashoggi at the Saudi Arabian consulate in Turkey has been one of the biggest, and most competitive, stories in the world this month, and the AP’s team in Turkey dominated coverage last week with its reporting surrounding a crime scene search of the consulate.
When crime scene investigators arrived at the consulate without notice on Oct. 15, Turkey news editor Ayse Wieting already had one camera fixed on the consulate door for 24-hour live coverage and quickly scrambled two more cameras with LiveU units. The AP beat the competition by more than two hours with the first edit of investigators entering the consulate.
On the text side, Ankara correspondent Suzan Fraser later got a high-level Turkish source to confirm that the consulate search turned up “evidence” that Khashoggi was killed there, a scoop that was cited across international and Turkish media.
And AP’s photo coverage of the story was also dominant, complementing the outstanding the video and text efforts. Photographers worked hard to find new angles on a visually challenging story, where often the only visible activity was people walking in and out of a building.
For impressive efforts and ingenuity in covering a worldwide top story of paramount importance to AP members and customers in all formats, the AP team earns Best of the Week honors.
It doesn’t get much cooler than this.
Portland, Maine-based photographer Bob Bukaty’s captivating video and photos bring to life the 120-year-old tradition of ice harvesting, a process that yields ice used for cooling beverages at a New Hampshire summer resort. Using a variety of techniques, equipment, angles, reflections and vantage points, Bukaty took the readers onto the ice on Squam Lake in Holderness, N.H.
Concord correspondent Michael Casey originated the story and wrote the text, while East digital presentation editor Samantha Shotzbarger adapted Casey’s text story into an audio script, voiced by broadcast journalist Warren Levinson.
Bukaty spent most of a frigid day on the lake, using a GoPro camera in a waterproof housing to record the activity under and over the 13-inch-thick ice. He also recorded interviews of group members who used chain saws, ice picks and a massive sled-mounted saw to harvest the blocks of ice from the lake surface.
The striking visuals were the talk of newsrooms in New England and at New York headquarters. By week’s end the story had nearly 30,000 page views, and the video spent three days among AP’s top U.S. newsroom-ready videos – even while competing against State of the Union coverage.
For their story that generated national interest with compelling visuals, the team of Bukaty, Shotzbarger and Casey wins this week’s Best of the States.
for their resolve and on-the-ground savvy, overcoming communications and access challenges to capture stunning images – stills and video – of the devastation following the crash of a Boeing 737 Max 8 jet that killed all 157 people on board in Hejere, Ethiopia.https://bit.ly/2FifRVmhttps://bit.ly/2umvyFY
for providing the first live video and first photos from the scene of a rescue helicopter crash that killed six people in Italy, two hours ahead of Reuters. http://fxn.ws/2k3Wi9H
for finding a vantage point that gave them a clear view of the damaged side of the destroyer USS Fitzgerald as it was being pulled into port after colliding with a freighter. http://apne.ws/2sHA3cE
interviewed Asian American actors who spoke candidly about their feelings on racism they've witnessed and experienced since the coronavirus pandemic and worry about how xenophobia will affect their futures in Hollywood. Rancilio’s text story was picked up widely, and she produced seven broadcast videos and two online edits with strong viewership.https://bit.ly/2Wx1Hbphttps://bit.ly/3fsbPe7
were quick to deliver an all-formats look — and an exclusive — from Bagram Airfield in Afghanistan after the U.S. departure from the base that served for nearly 20 years as the epicenter of America’s war to unseat the Taliban and hunt down al-Qaida.Media around the world were watching for the U.S. withdrawal from Bagram, but Gannon, AP’s Afghanistan/Pakistan news director with decades of hard-won experience in the region, broke news. First, she pressed for access to the base after the U.S. military's July 2 departure. Joined by Kabul-based video journalist Amin and photographer Gul, the trio were granted access on July 5 and arrived to provide a rare glimpse of what had been the largest U.S. military base in the country.But that access was only one element of the story. The new Afghan commander of Bagram was initially reluctant to share details about how he and his troops took control of the base. Gannon told him there had been rumors about looting, and with her persistent questioning, the commander finally shared the full story: U.S. troops left quietly, switched off the lights and never bothered to tell the Afghan military that they were gone. The gap of two hours between the U.S. departure and the arrival of the Afghan military at Bagram enabled looters to sneak into the once heavily guarded base.The story made a splash, with Gannon fielding interview requests from major news outlets to describe what she had seen and heard at Bagram. The Pentagon, facing criticism after Gannon’s story appeared, later said the Afghans had been informed two days in advance of the U.S. intention to leave, but that the precise hour was left secret for security reasons. The team’s all-formats reporting provided an early look at the post-U.S. era in Afghanistan, in a package that was stunning for its detail and news value.https://aplink.news/95ehttps://aplink.video/odbhttps://aplink.video/5bq
for overcoming major obstacles to cover Turkey’s offensive into northern Syria, including disruptions of communications networks, hostility to international media and sporadic shelling. The pair provided powerful visual coverage of the military buildup on the Turkish side of the border, early scenes of troops crossing into Syria and a live shot of the border and the chaotic scene of a mortar attack in the Turkish town of Akcakale. Strong contributions from Beirut rounded out the coverage.https://bit.ly/33ehnCehttps://bit.ly/2MRpii9https://bit.ly/2nZnH1y
overcame roadblocks and other obstacles to deliver outstanding coverage of the violent volcanic eruption on La Palma in the Canary Islands. That included some of the most striking visuals of the week showing the destructive power of the eruption and the evacuations of thousands of residents.Knowing the earliest AP could get a crew on the ground would be the next day, journalists Wilson, Brito, Morenatti and Leon spent the first few hours after Sunday’s eruption remotely gathering material for all formats from sources on the island.
The next morning video freelancer Leon and Aritz Parra, chief correspondent for Spain and Portugal, took the first flight from Madrid to La Palma and hit the ground running, interviewing shocked residents who had grabbed what they could before abandoning their homes to the advancing wall of molten rock.They were joined by video journalist Brito and photographer Morenatti who made images with his drone and from a rescue helicopter, capturing the vast reach of the lava flows from above, including iconic shots of an isolated house left seemingly untouched amid a sea of lava.Meanwhile, in Lisbon, correspondent Barry Hatton wrote the stories, gathering material from the team on the ground and others. Helena Alves, did the same for video, handling incoming footage from various sources. The video edits and live shots were among the AP’s most-used throughout the week while the photos and text received prominent play in major online media.https://aplink.news/4zthttps://aplink.video/c5nhttps://aplink.video/djn
for persistence that yielded a deeply reported story on Melania Trump’s White House renovations, including exclusive access for photos and video.https://bit.ly/2mCQAPYhttps://bit.ly/2n71AFuhttps://bit.ly/2l66Ngj
wanted to explore how people on different sides of the political gulf in the U.S. view the election and transfer of power.They found two Maryland residents who represent polar political opposites: one a Trump Republican who has two TVs tuned to conservative media; the other a staunch Democrat eager for the inauguration of Joe Biden. Both are members of a program designed to bridge the nation’s extraordinary political divide.The AP team followed as the pair navigated the turbulent transition between administrations, careful to report fairly while not making their divergent positions equivalent — the journalists made it clear that the facts establish Biden’s win and do not support claims of a stolen election. The all-formats package attracted attention and yes, sparked heated discussion online. https://bit.ly/3ckElj2https://bit.ly/2Yn9r19
for making AP the first international outlet with images of the aftermath of a devastating suicide bombing that killed 80 people at a crowded wedding party in the Afghan capital. The New York Times was among those using the work. https://bit.ly/2MwahVd
scored with exclusive photos and video on a highly competitive story: the arrival of a World Health Organization team in Wuhan, China, to investigate the origins of the coronavirus. While most of the competition was stuck outside, the AP pair, hauling gear, hustled inside the Wuhan airline terminal to find the arrival gate and grab images of investigators deplaning. Minutes later, they noticed the WHO team waiting outside the terminal, and AP was the only international media to get its own clear images of the investigators on the ground.In addition, McNeil and Taipei writer Huizhong Wu had prepped a text story. AP’s Asia desk was able to alert and send a 700-word story within minutes of confirming the team’s arrival in Wuhan.https://bit.ly/3sHHvTJhttps://bit.ly/2Nch6wQ
documented migrant activity that peaked during the late summer months as many set off from Libya’s shores on dangerous crossings of the Mediterranean Sea.Cairo-based reporter Magdy and video journalist Hatem spent several weeks aboard a search-and-rescue ship that patrols the central Mediterranean. They witnessed the rescues of more than 60 migrants who were at risk of drowning; several of the migrants told harrowing stories of torture and abuse in migrant detention centers in Libya. The pair’s reporting was among the most in-depth coverage since the pandemic of the atrocities migrants face on the journey toward Europe.Meanwhile, after months of trying, Barcelona-based Brito got a seat aboard a small aircraft that non-governmental rescue groups use to monitor the migrants at sea. Working all formats, Brito showed over the course of multiple flights how the crew searched for boats in distress and prodded ships in the area to take part in rescues.The coverage coincided with the largest crackdown on migrants inside Libya in recent years, during which some 5,000 were detained by Libyan forces, reported by Magdy from the ship operated by Doctors Without Borders. AP’s multiformat work at sea and from the air saw widespread use in Europe, the Middle East and beyond. https://aplink.news/yz1https://aplink.video/3xohttps://aplink.news/sfrhttps://aplink.video/w4q
An exclusive analysis conducted for AP showed that in the shadow of the pandemic, a quiet surge in non-COVID “excess deaths” in U.S. nursing homes could top 40,000 above and beyond what is normal.
To find out why, the AP team of reporters Matt Sedensky and Bernard Condon, with video journalist Allen Breed and colleagues, interviewed nursing home authorities and family members, documenting severe cases of neglect and prolonged isolation for residents not infected with the virus, much of it due to chronic understaffing. The text story and video piece received prominent play and were among the most widely viewed on the AP News app on the day of publication.
For exposing a grim consequence of the pandemic affecting an already vulnerable population, the team of Sedensky, Condon and Breed earns this week’s Best of the States award.
For years, AP’s Khalil Hamra and Oded Balilty have captured the Israeli-Palestinian conflict through their award-winning photography. This summer they turned their lenses away from the violence and onto a place of refuge for both sides: the stretch of beaches along the Mediterranean Sea.
With Balilty making images from Tel Aviv and Hamra from Gaza, the Pulitzer Prize-winning photographers produced an evocative essay showing Palestinians and Israelis basking on the beach, separated by 70 kilometers (40 miles) and free from fear of the next eruption of fighting. The photographers have met just once, years ago, but communicated online about what they were seeing, made pictures, shared them and then set out to find similar ones from their respective sides.
The immersive presentation includes an engaging video revealing more about the photographers and how they applied their craft.
For a strikingly unique, creative collaboration that brought, in Balilty’s words, “something positive” from a part of the world beset by conflict, Hamra and Balilty earn this week’s Best of the Week — First Winner award.
for dominating agency coverage – video and photos – of clashes between Hong Kong police and anti-extradition protesters who gathered around Hong Kong’s Legislative Council complex on June 12.
Only AP was live when the first scuffle broke out between police and protesters early that morning. And when more violent clashes erupted, only AP’s Wober captured dramatic ground footage as protesters started throwing objects at police who eventually used tear gas, rubber bullets and other measures to disperse the crowds. The dramatic unmatched 30-minute clip was widely used by major clients, including Hong Kong’s own South China Morning Post.
Photographers Yu and Cheung, meanwhile, worked tirelessly from late the previous night, as protesters staked out positions, and through the next day as the protests grew and were eventually shut down. Prominent photo play included the front of Time magazine and The Times of London.https://bit.ly/2XmPRDjhttps://bit.ly/2FiU6W3https://bit.ly/2x7tzXu
There’s a real difference between straight aerial photography and the bird’s-eye view that AP’s audience had of the destruction after a series of tornados touched down in western Ohio late on Memorial Day. Using a drone, Cincinnati photographer John Minchillo and video journalist Angie Wang provided those images from a rare perspective – both still photos and video – showing residents coping with the wreckage and sorting through their gutted homes.
The resulting video coverage was our overall top U.S. video story for the week, and Minchillo’s still photos were widely played, including front pages of the Washington Post and Wall Street Journal. Two of his photos appeared in NBC’s The Week in Pictures.
From small details to sweeping landscapes of destruction, their dedication, teamwork and speed of delivery make John Minchillo and Angie Wang this week’s Best of the States winners.
