The New York video team, working with their counterparts at the BNC in Washington, provided live coverage of teenage climate change activist Greta Thunberg's arrival to the United States, handily beating competitors with numerous live shots and edited pieces.
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documented the plight of remote Alaska Native tribes facing a lean winter because the once bountiful salmon runs on the Yukon River have all but stopped, likely due to climate change.Freelance photographer Howard traveled to Stevens Village, more than 300 miles north of Anchorage along the Yukon. He made striking images and drone video as hunters tracked moose and caribou, hoping to get enough to replace what would usually be a large bounty of salmon dried and smoked for winter months. The hunters worked nearly around the clock, even cleaning and gutting moose under the northern lights.Flaccus reported from Oregon, describing how tribal members are upset they haven’t received more help from state and federal authorities. Some feel their plight isn’t getting as much attention as farmers, ranchers and others affected by climate change in the lower 48.The pair’s vivid text and photo package led reader engagement for the weekend and was near the top in pageviews for the same period.https://aplink.news/ndm
used the Freedom of Information Act and on-the-ground reporting in the Texas Panhandle to reveal a new Dust Bowl brewing on farmland above the nation’s biggest aquifer — and the halting efforts to stave it off.Farmers, communities and researchers have long known that groundwater in the Ogallala aquifer was steadily declining due to irrigation and might not recover. But while researching a story about disappearing prairie grasslands, Webber discovered that both issues were colliding to create another challenge: As climate change is making rainfall scarcer, farmland is blowing away just as it did during the Dust Bowl.Webber, a member of AP’s global environment team, talked to researchers who warned of huge farmland losses, and she traveling to the Panhandle town of Muleshoe where she told the story of farmers planting native grasses to preserve terrain as their wells struggle to produce water. She also reported that the U.S. Department of Agriculture had identified a Dust Bowl zone where farmers would receive extra money for grasslands conservation, and spent months prying loose government data showing that not all farmers were embracing the program.Webber’s comprehensive and engagingly written narrative, with photos by freelancer Mark Rogers, vividly captured the new Dust Bowl threatening an important agricultural region, and the efforts to keep farmers on their land. https://aplink.news/6or
teamed up from the moment it became clear that Tennessee flooding was causing death and destruction on a catastrophic scale, capturing the full dimensions of the tragedy.Late Saturday, Atlanta desk editor R.J. Rico moved aggressively in pursuit of the story. Acting on information unearthed by user-generated content sleuth Nishit Morsawala in London, Rico conducted a late-night interview with Kansas Klein, the owner of a pizzeria in Waverly, Tennessee, who described standing on a bridge and watching two girls holding a puppy and clinging to a wooden board sweep past in the water below. The early presentation, which included compelling UGC video of the devastation, was so vivid that AP Deputy Managing Editor Noreen Gillespie said it felt like AP was already on the ground in Middle Tennessee.Reporter Jonathan Mattise and photographer Mark Humphrey set out at first light Sunday to McEwen and Waverly where they captured personal stories and heartbreaking images of the destruction wrought by 17 inches of rain in a single day. Working with colleagues John Raby in West Virginia and Jeffrey Collins in South Carolina, and freelance photographer John Amis, Mattise and Humphrey delivered a moving portrait in real time of a storm that took the lives of at least 22 people, left dozens of others missing and the remaining residents of a rural Tennessee community straining to cope with the devastation. The widely played all-formats coverage deftly examined the unusual nature of the storm and its likely connection to climate change, laying out its impact for a global audience that will almost certainly be experiencing similar storms going forward.https://aplink.news/zw1https://aplink.video/bdlhttps://aplink.news/qfb
Coal-burning generating plants are closing in the U.S., and coal mines are shutting down amid worries of climate change and the new economies of renewable energy.
Against that backdrop, correspondents Felicia Fonseca and Susan Montoya Bryan traveled to Arizona’s remote Navajo Generating Station to the tell the story of workers, their families, a community and the tribal nations who have depended on coal and are feeling the profound effects of the plant’s impending closure.
In their all-formats package, the pair let workers explain what they were losing, and how the local economy is taking a massive hit with millions of dollars of revenue no longer flowing to the Hopi and Navajo tribes.
For a comprehensive, compelling look at the impact of coal’s decline on a community and a culture, Fonseca and Montoya earn this week’s Best of the States award.
teamed up in all-formats to highlight the environmental crisis of an estimated 2 million abandoned oil and gas wells in the United States.Overcoming the reluctance of landowners fearful their property values would decline if they went public, energy and climate reporter Bussewitz found a fourth-generation Texas rancher who described her beloved land as a “swiss cheese of old oil wells that are just falling apart.” Bussewitz shared the byline with national writer and visual journalist Irvine, who shot video of the site where the rancher had moved 600 head of cattle that may have drunk contaminated water, then combined it with drone footage from the ranch, along with historical photos and footage of abandoned wells. Photographer Gay made striking images of that ranch and another where the rancher had to sue the state of Texas to plug orphaned wells.Data analyst Fenn and digital artist Duckett leveraged that data into interactives, including an exclusive nationwide map that depicted the known orphaned wells in each state, and producers Hamlin and Shotzbarger, with photo editor Goodman, built a powerful presentation on AP News.https://aplink.news/nr5https://aplink.video/rwuhttps://interactives.ap.org/em...https://interactives.ap.org/te...
Severe storms, extreme flooding and aging infrastructure present a rising peril throughout much of the U.S., but trying to assess the risks has been extremely difficult. The reason: The federal agency overseeing the nation’s dams has sealed off the most essential information about their condition and the potential threats to those living downstream.
Prying that information loose took the kind of dedicated, 50-state effort that the AP is uniquely positioned to pursue. Data journalist Michelle Minkoff and Northern New England correspondent Michael Casey, collaborating with state government team member David Lieb and a visual team led by video journalist Allen Breed – as well as a cast of AP state reporters, photographers and data journalists – produced a deeply reported and visually stunning package revealing the dangers of nearly 1,700 aging dams, from Hawaii to Massachusetts.
Some two years in the making, the package resulted in explosive play – more than 100,000 page views on AP News and more than 80 front pages.
For their exhaustive efforts to unlock critical public information and relay the findings in an engaging fashion, Minkoff, Casey, Lieb and Breed win this week’s Best of the States award.
were quick to deliver exceptional, wide-ranging coverage as devastating floods left some 200 dead across Northern Europe. Sweeping stories and arresting visuals showed the scale and severity of the flooding while also capturing the human suffering and loss.Berlin-based correspondent Frank Jordans recognized the scope of the unfolding tragedy, sending multiple alerts and urgent updates as the death toll began to rise. His stories reported not only the developing story in Western Germany but also in Belgium, the Netherlands, France, Austria and Switzerland.Jordans and fellow Berlin writer Geir Moulson continued to track the story over the coming days as the toll grew, while Brussels-based Raf Casert contributed a powerful piece examining the links to climate change. Highlighting the multinational impact of the disaster, Austrian freelance reporter Emily Schultheis crafted a dramatic story of close escapes, elegantly drawing on interviews collected by video crews in all the affected countries.Live video was quickly established through a combination of partner feeds and our own video complement of Berlin’s Christoph Noelting, field producer Pietro di Cristofaro and senior field producer Dorothee Thiesing, Frankfurt producer Daniel Niemann, video journalist David Keyton in Paris, freelancer Eric Fux in Belgium, and Aleks Furtula and Bram Janssen in the Netherlands. The Belgian and Dutch teams, headed by Western Europe News Director Angela Charlton, navigated closed roads and muddy terrain to reach the hardest-hit areas, reporting compelling personal stories amid the destruction. Fux found a family that spent a terrifying night on the roof of their destroyed home, waiting for rescue, and London producer Nadia Ahmed delivered a key user-generated video showing the moment a whole house was swept away by the torrents, snapping off a tree and smashing into a bridge.Photos, both from the ground and from the air, revealed the extent of the damage. Spot coverage included work from Michael Probst and Janssen in Germany, and from Virginia Mayo, Francisco Seco and Valentin Bianchi in Belgium. A striking photo gallery showed the devastation across Europe; AP’s photos were used by hundreds of customers, from The New York Times to Sky News.https://aplink.news/kb4https://aplink.news/gh6https://aplink.news/3chhttps://aplink.photos/9xkhttps://aplink.video/1xwhttps://aplink.video/3vzhttps://aplink.video/g6t
The brief for the project was anything but simple: find a way to cover climate change’s effects on the planet in a way that avoided turning the audience off with a gloom-and-doom or heavily text-centric approach.
The result was a sprawling environmental series that expanded the boundaries of AP’s visual storytelling. The series traveled to 10 countries on five continents, focusing on everything from attempts to bring back Jamaica’s coral reefs, to the conservation of lions and gorillas in Africa, to China’s ambitious plans to build a national park system, to a trip down one of Europe’s last wild rivers.
It was the work of 33 journalists, 15 editors and four translators throughout AP’s global newsroom, reaching millions of people across all formats – and not just because Leonardo DiCaprio touted some of the installments on Instagram and Twitter.
For ambitious storytelling and compelling display on a subject of global significance, the extended team behind the “What Can Be Saved?” series wins AP’s Best of the Week award. This week’s cash award will be donated to AP’s Employee Relief Fund.
As the western U.S. finds itself in the grips of one of the worst droughts in recent history, the AP West region staff has delved into every aspect of the drought’s impact across the region. In one of the hardest-hit areas, the Salt Lake City-based team of Rick Bowmer, Lindsay Whitehurst and Brady McCombs documented that Utah’s Great Salt Lake may be headed to the lowest water levels in 170 years.
Reporting ahead of other news outlets, they delivered an all-formats package with stunning visuals showing readers how the dying lake is impacting people and wildlife and is a harbinger of worrisome drought-related consequences ahead. Decades of drought and water diversion in the booming region have hurt bird habitats, forced boats from shallow water and exposed dry lakebed that could send arsenic-laced dust into the air that millions breathe.
The result was a compelling package that had the highest engagement of all AP stories on July 6 and fourth-most for the week.
For distinctive work that expands AP’s ongoing coverage of climate and drought in the West, the team of Bowmer, Whitehurst and McCombs wins this week’s Best of the States award.
used government air pollution data, academic studies and interviews to report exclusively that the western wildfires exposed at least 38 million people in five states to unhealthy levels of smoke, causing emergency room visits to spike and potentially thousands of deaths among the elderly and infirm. The all-formats package included the experience of an Oregon woman whose smoke-triggered asthma attacks twice sent her to the emergency room.https://bit.ly/34hvDgShttps://bit.ly/3m6yeR0
AP Portland, Oregon, reporter Gillian Flaccus has long followed a simmering issue in the Klamath River Basin, a swath of rural agricultural land in Northern California and southern Oregon that is ground zero for the fight over an increasingly precious resource in the American West: water. Amid extreme drought in the region, the U.S. government has stopped irrigation to hundreds of farmers for the first time in history, while Native American tribes along the 257-mile Klamath River are watching fish species hover closer to extinction. The farmers face ruin and tribes worry their culture will vanish.Flaccus has developed deep sources with area farmers as well as tribal members and recently spent nearly a week in the remote area with freelance photographer Nathan Howard documenting an issue that would have been unthinkable just a few years ago. Working with New York photo editor and digital storyteller Alyssa Goodman, they produced a sweeping, striking all-formats package that showed the pain on both sides as people begin to realize the water may not be coming back. The package was among AP’s most-viewed stories for Friday. For immersive journalism that explores the human consequences of drought in the U.S. West, Flaccus, Howard and Goodman receive this week’s Best of the States award.
for reporting that this year’s devastating Midwest flood losses are forcing tough decisions about the future of farming in America's bottomlands, even among farmers skeptical of climate change and humans’ role in it. https://bit.ly/2Z6iBP9
Former Ku Klux Klan leader David Duke fell one election short of becoming Louisiana’s governor in 1991. In the years since, he has frequently mulled another run for office, but never taken the plunge. So when Duke publicly floated the idea of running for Congress, Louisiana statehouse reporter Melinda Deslatte was cautious.
But Deslatte also knew that if Duke were to actually run, it would be big news, especially in a year where race relations were front and center in the national debate.
alertly put AP out front of a burgeoning migration crisis on both sides of the Spain-Morocco border.While much of the world focused on the conflict in Gaza, Parra noticed something unusual on May 17: Dozens of migrants had entered Ceuta, Spain, that morning by swimming from Morocco. Usually, migrants seeking to enter Ceuta — in Spanish territory in North Africa — do so by climbing the border fence in small groups, evading the Moroccan security forces that keep would-be migrants away from the frontier. Parra filed a brief story and flagged it to other formats. Additional reporting confirmed something bigger was brewing, with the Moroccan authorities relaxing border security amid a diplomatic dispute. The all-formats team quickly responded, capturing riveting images of migrants swimming ashore by the thousands as Spain deployed troops and armored personnel carriers. Video coverage, both live and edited, showed migrants, including children, being rounded up on the beach and immediately returned to Morocco through a border gate by baton-wielding Spanish soldiers. There were also dramatic photos from the Moroccan side of the border, giving AP comprehensive coverage from both sides of the humanitarian crisis.Play for the story was tremendous. The video edits scored heavily and Armangue’s photos landed on news sites and in newspapers around the world, including in Spain, where the top papers used his photos on the front page two days in a row. His photo of a young migrant hugging a Red Cross volunteer on the beach went viral in social media and became perhaps the most iconic image of the crisis.https://aplink.news/mefhttps://aplink.news/vqihttps://aplink.photos/emahttps://aplink.video/j7whttps://aplink.video/zxuhttps://aplink.news/h8zhttps://aplink.photos/f8x
relied on meticulous planning, their in-depth knowledge of the subject, and AP’s national footprint to lead comprehensive coverage of just-released 2020 U.S. Census numbers. The first batch of numbers were deceptively simple — on the surface, a single population number from each state and bare-bones information on congressional seats and presidential electors. But with robust preparation and background on the headcount’s implications, the pair pushed AP's coverage to the forefront nationally on an announcement that turned out to contain plenty of surprises.While leveraging AP’s reach with a big assist from colleagues who helped prepare state stories all over the country, as well as advance coverage of millennial migration, a likely Latino undercount in the Sunbelt and California’s loss of a seat for the first time in its history, Schneider and Riccardi deftly adapted the AP’s spot story to the news that 13 states would either gain or lose congressional seats. The spot coverage included an informative glance box of winners and losers, an interactive map and independent analysis by the AP data team.Taken as a whole, the weeklong tour de force showcased the AP’s range and depth, with Schneider and Riccardi leading the effort.https://bit.ly/3toZFZghttps://bit.ly/3elizMlhttps://bit.ly/2PRIz8Ohttps://bit.ly/2Suq5fDhttps://bit.ly/3b3eIBE
for the only international interview with teen climate activist Greta Thunberg after Time magazine named her Person of the Year. Thunberg’s team had been turning down interviews, but Jordans called a person traveling by car with Thunberg and asked her to pass the phone to Greta. Jordans recorded audio as he spoke to the teenager for several minutes about receiving the accolade, her experience of the past years and plans for the future – a scoop that received tremendous play on one of the top stories of the day. https://bit.ly/38OB9Id
Among the human tragedies stemming from irregular migration, an Afghan boy’s drowning leapt out at Athens-based bureau chief Elena Becatoros when Greek authorities took the unprecedented step of charging his father with child endangerment, for embarking on the perilous journey from Turkey to Greece with his son.
Led by Becatoros, the AP’s all-formats team in Athens tracked down the father, then spent weeks using formidable people skills and patience to gently persuade the grieving man to recount how his 5-year-old son slipped from his arms and drowned when the boat carrying migrants smashed against rocks and broke in two. The journalists also overcame the father’s initial refusal to appear in photos or on video, while another survivor added depth and detail too painful for the father to describe.
For their dogged pursuit and sensitive telling of this heart-wrenching story that puts human faces to the grim statistics on migration, the team of Becatoros, senior producer Theodora Tongas, video journalist Srdjan Nedeljkovic, freelancer Michalis Svarnias, chief photographer Thanassis Stavrakis and newsperson Derek Gatopoulos wins AP’s Best of the Week honors.
for following the money given to Libya to prevent migration. What they found was startling: The money has spawned a web of thriving and highly lucrative businesses that profit off the misery of migrants – funded by the European Union and enabled by the United Nations. The AP team came to this conclusion through interviews with more than 50 migrants and confidential information from internal United Nations emails and high-level sources, including senior Libyan officials. https://bit.ly/2QGAuBHhttps://bit.ly/2R2aq2D
delivered an all-formats package based on the first joint interview with #MeToo founder Tarana Burke and the organization’s new CEO Dani Ayers. They told Stafford that the movement’s original intent was to focus on marginalized voices and experiences, and that people have failed to acknowledge that the #MeToo movement was started and led by Black women and people of color.The multiformat project included Ruark’s portraits of Burke in Baltimore, and Bazemore’s images of Ayers in Atlanta. New York video producer Vanessa Alvarez created a video piece from the interview and file footage of some key #MeToo moments.https://bit.ly/35drj1ihttps://bit.ly/2FQQyhu
