Best of the Week — First Winner

Only on AP: Heartrending images capture children across the globe who lost parents to COVID

Rarely does AP’s Best of the Week award go to an editor. But this week — a particularly strong one for AP with multiple exclusives — the honor is truly deserved by Top Stories Hub photo editor Alyssa Goodman. Goodman was the driving force behind “Kids Left Behind,” an extraordinarily moving photo package that takes an intimate look at children who have lost parents to the pandemic.

Goodman coordinated with photographers around the globe to find the young subjects, get permission to photograph and interview them, then make their portraits in a cohesive style.

The result was one of the most compelling packages AP has done in recent years, the photos complemented by poignant text moving many readers to tears, with stories ranging from a 10-year old in India who lost both parents in a matter of weeks, to video of a California 13-year-old performing the song she composed for her father’s funeral, on the guitar he gave her days before he died.

For generating an inspired and challenging project, handling it with sensitivity and tenaciously seeing it through in collaboration with global colleagues, Alyssa Goodman wins AP’s Best of the Week award.

Best of the Week — First Winner

Unmatchable coverage by AP team in Mariupol: ‘Their images are defining this war’

Rarely is the difference so stark between news organizations that subscribe to the AP and those that don’t. That’s down to the tireless efforts of AP staffers around the world who have reported, edited, planned, provisioned and advised to make our coverage of Ukraine truly stellar. And it’s especially true in the coverage of a single city that has seen some of the war’s worst horrors.AP’s Germany-based video journalist Mstyslav Chernov, photographer Evgeniy Maloletka and freelance producer Vasilisa Stepanenko have been the only international journalists to chronicle the tragedies of Mariupol. The team was recognized with last week’s Best of the Week award, and their unflinching coverage continued, the world riveted not only by their presence, but by their stunning journalism. Amid the chaos, they have found stories so moving — and told them so compellingly — that it’s impossible to tell the broader story of Ukraine without them.Usage for the work has been extraordinary. “Their images,” wrote Nick Schifrin of PBS NewsHour, “are defining this war.”For courageous, must-have coverage from the heart of the world’s biggest story, the team of Chernov, Maloletka and Stepanenko is AP’s Best of the Week — First Winner.

Beat of the Week

(Honorable Mention)

Unmatched live video, photos from Lagos building collapse

for quickly getting to the scene of a collapsed building and capturing unmatched images of crews rescuing children. Oyekanmi held the live shot for nearly two hours, allowing AP to send live video as well as framegrabs to customers, while Alamba’s photos dominated websites and newspapers, including front-page placement on the next day’s New York Times print edition.https://bit.ly/2U2WUiThttps://bit.ly/2TSb6Mb

Beat of the Week

(Honorable Mention)

Dramatic photos, video of Ecuador unrest despite risks

for coordinating as a multi-format team to produce consistently outstanding images – photo and video – during nearly two weeks of violent protests by indigenous demonstrators who clashed with police and journalists, creating a risky, complicated environment for newsgathering.https://bit.ly/2BGxLQehttps://bit.ly/2MIjb0K

Beat of the Week

(Honorable Mention)

Exclusive coverage as China lifts Wuhan lockdown

delivered exclusive coverage of the end of the lockdown in Wuhan. Live video, including footage of a surprise midnight light show, was accompanied by still images both before and after China lifted the lockdown in the city where the pandemic began.https://bit.ly/3crWIiRhttps://bit.ly/2Vy1dBjhttps://bit.ly/3bdTwXMhttps://bit.ly/2XCNtYM

Beat of the Week

(Honorable Mention)

Exclusive photos as agents search ship for tons cocaine

for capturing exclusive images of agents searching a container ship found to be carrying more than 17 tons of cocaine. Rourke made the smart decision to shoot not at the Philadelphia port, where the massive ship was docked, but from a park across the river in New Jersey – enabling him to a make a variety of images of agents and drug-sniiffing dogs in action, while photographers at the dock were able to shoot little more than static photos of the ship. https://bit.ly/2Yqqg9C

Beat of the Week

(Honorable Mention)

Sweeping, sensitive coverage in aftermath of Buffalo shooting

led AP’s comprehensive all-formats coverage in the aftermath of the mass shooting at a Buffalo, New York, supermarket. In the week that followed the racist attack, the team on the ground captured the sorrow and outrage of the city’s Black community, even as they reported on court appearances and press briefings.The team delivered sensitive and compelling enterprise pieces, including a chronicle of the victims’ last day, personal stories of grief and anger, how residents might find healing, and what the loss of the area’s only supermarket means to the fabric of the community.That work by the Buffalo team was complemented by a sweeping array of insightful stories from AP journalists around the country.Read more

Best of the Week — First Winner

Under the volcano: Stunning photos of ‘slow motion annihilation’ on the island of La Palma

The volcano on La Palma has been active for months — and so have any number of news agencies, documenting with day-to-day images, most often from a distance after authorities declared much of the Spanish island off-limits.

That was the challenge for Madrid-based chief photographer Emilio Morenatti, who wanted a fresh angle. Leaning on contacts, Morenatti gained access inside the exclusion zone. There, while providing daily images for the AP wire, he poured his creative energy into a series of still life photos that cross over into the art world, showing what he describes as “annihilation in slow motion.”

His images show neighborhoods, yards, houses and all the possessions therein buried in volcanic ash. One colleague called the work “shocking and beautiful at the same time.”

The package that was well-received by international clients and Morenatti was interviewed by Spanish television. Even competitor photographers took to social media to praise his work.

For combining determination, access, timing and talent to produce remarkable images that take viewers to the heart of an unfolding catastrophe, Morenatti is this week’s Best of the Week — First Winner.

Beat of the Week

(Honorable Mention)

Teamwork, sourcing put AP ahead on Buffalo mass shooting

teamed up to deliver fast, factual breaking coverage of Saturday’s racist mass shooting at a Buffalo, New York, supermarket, then turned to stories of the victims and a community in mourning.In the chaotic first hours after the shooting, AP avoided the erroneous reporting of other outlets, including false reports that the gunman was dead. Sharp source work had AP accurately reporting the death toll ahead of the official news conference, and that authorities suspected the shooter was driven by racism.The all-formats coverage was AP’s top-performing story of the day, by far, widely used and credited by AP customers and drawing more than 1 million pageviews on AP News.Read more

Beat of the Week

(Honorable Mention)

First photos of migrants held on Malta tourist boats

captured Malta’s controversial practice of using harbor cruise ships as floating detention centers for migrants rescued at sea. No one had made photos of the ships until Rossignaud traveled to the area about 23 kilometers (14 miles) offshore in his own motorboat. His images, accompanied by D'Emilio’s story, created a stir in Europe and beyond, putting pressure on Malta to let the migrants disembark.https://bit.ly/2AlRl7a

Best of the Week — First Winner

Sensitive reporting from Greece tells harrowing story of migrant father charged in son’s shipwreck death

Among the human tragedies stemming from irregular migration, an Afghan boy’s drowning leapt out at Athens-based bureau chief Elena Becatoros when Greek authorities took the unprecedented step of charging his father with child endangerment, for embarking on the perilous journey from Turkey to Greece with his son. 

Led by Becatoros, the AP’s all-formats team in Athens tracked down the father, then spent weeks using formidable people skills and patience to gently persuade the grieving man to recount how his 5-year-old son slipped from his arms and drowned when the boat carrying migrants smashed against rocks and broke in two. The journalists also overcame the father’s initial refusal to appear in photos or on video, while another survivor added depth and detail too painful for the father to describe.

For their dogged pursuit and sensitive telling of this heart-wrenching story that puts human faces to the grim statistics on migration, the team of Becatoros, senior producer Theodora Tongas, video journalist Srdjan Nedeljkovic, freelancer Michalis Svarnias, chief photographer Thanassis Stavrakis and newsperson Derek Gatopoulos wins AP’s Best of the Week honors.

Beat of the Week

(Honorable Mention)

AP leads coverage of attack on Iranian nuclear facility

used their experience and a quick response to cover the week’s fast-moving developments on an attack against Iran’s Natanz nuclear site, the second such assault amid tensions over its nuclear program. Iran initially blamed Israel for a cyberattack that caused a blackout and damage to underground centrifuges at the site, but later named an Iranian-born man as a suspect in the attack, saying he had fled the country “hours before” the sabotage happened.The team’s stellar coverage included six alerts, satellite images of the site and unmatched access to Iran’s nuclear spokesman, who was injured on a visit to the site after what he described as “a possible minor explosion.” AP’s work drew impressive play throughout the week.https://bit.ly/3gw39GJhttps://bit.ly/3tU1E9nhttps://bit.ly/3n9gB4I

Best of the Week — First Winner

One shot: AP photographers reflect on covering the pandemic, and the image that most affected them

Since the start of the pandemic, AP photographers have been on the front lines of coverage, taking on risks to bring the world scenes of struggle, death, comfort and hope. And in many ways the images had a profound impact on the photographers themselves.

So as the world approached another grim pandemic milestone of 3 million deaths, New York photo editor Alyssa Goodman asked a group of 15 photographers from 13 countries to each select the one image from their virus coverage that affected them most, and describe why.  

The resulting package, elevated by the elegant writing of Rome reporter Nicole Winfield, offers compelling insight into the emotional impact of bearing witness and documenting the pandemic.

For adding a new and creative dimension to some of AP’s most deeply moving photography of the coronavirus pandemic, Goodman, Winfield and this dedicated team of photojournalists — representing their AP colleagues worldwide — earn AP’s Best of the Week honors. 

Beat of the Week

(Honorable Mention)

Resourceful AP team leads coverage of stuck Suez ship

dominated the story of the massive cargo ship blocking in the Suez Canal. Using satellite images, tracking data and healthy skepticism, the AP team avoided the errors of their competitors to deliver accurate, timely all-formats reporting. From the first day that the Ever Given wedged itself across the canal, authorities offered incorrect information, claiming the canal remained open to traffic and that the ship had been pulled aside. While others repeated those false claims, AP relied on tracking data to report the truth — the Suez Canal was completely cut off.Cairo regional news director Hyde and her Dubai counterpart, Gambrell, worked closely together on this complex story, directing coverage while also producing video and photo content as text reporter Magdy and video journalist Hatem worked on the ground in Suez despite tight restrictions.AP’s relationship with the satellite photo provider Planet Labs gave AP an advantage of eight hours or more over major competitor agencies. Interviews recorded on Zoom and video of idle ships in the canal allowed clients to visualize the story — with one video edit being used by 118 channels. Text explainers added context that helped clients better tell the story that affected shipping and economies across the globe.https://bit.ly/3cEUE9Vhttps://bit.ly/3cGz5pw

Beat of the Week

(Honorable Mention)

AP package marks 20th anniversary of legal same-sex marriage

showcased AP’s global reach with a package marking the 20th anniversary of the Netherlands becoming the first country with legal same-sex marriages. Far more sweeping than a routine anniversary story, the coverage coordinated by New York-based national writer Crary and Netherlands chief correspondent Corder included an interview with one of the first couples married 20 years ago in the Netherlands. And with the help of multiple AP bureaus, it also detailed the uneven progress of same-sex marriage worldwide — now legal in 28 countries.In Amsterdam, the package was 20 years in the making — since April 1, 2001, when photographer Dejong documented the historic weddings. He re-edited those photos, then tracked down one of the couples he photographed in 2001; he and freelance video journalist Furtula persuaded the couple to grant an on-camera interview at their home.Back in the U.S., Goodman, photo editor for the Top Stories Hub, spent hours searching AP photo archives for images of milestone same-sex marriages around the world, producing a striking 24-photo package that included Dejong’s then-and-now photos. And top stories artist Francois Duckett created an interactive map showing the countries that have legalized same-sex marriage. AP’s impressive body of work won plaudits on social media and extensive play.https://bit.ly/3fRHFDLhttps://bit.ly/3sSZ3fi

Beat of the Week

(Honorable Mention)

AP examines vaccine inequity for already marginalized workers

teamed up with international colleagues for a compelling account of vaccine inequity in India, Africa and Latin America, exposing the plight of an estimated 20 million informal waste workers who keep cities clean and divert waste away from landfills but are not yet eligible to get the coronavirus vaccine.Health and science reporter Ghosal was exploring vaccine policy in India when he was stuck by the sheer invisibility of the scavengers who live on the fringes, far from the public discourse around who should be prioritized for vaccination. Ghosal worked with photographer Qadri and video journalist Ganguly for on-the-ground reporting at the massive garbage mountain on the outskirts of New Delhi. They came back with moving personal stories that added depth to the narrative, with powerful visuals laying bare the workers’ experience amid grinding poverty.To amplify the work, Ghosal reached out to colleagues across Africa and in Latin America, who shared similar accounts of exclusion and deep-rooted inequalities in access to health care. They delivered, adding to a story that included contributions by Brian Inganga and Tom Odula in Nairobi, Farai Mutsaka in Zimbabwe, Mogomotsi Magome in Johannesburg, Marco Ugarte in Mexico City, Ariana Cubillos in Venezuela and Manish Swarup in New Delhi.The arresting all-formats package highlighted how the pandemic has exacerbated existing income inequalities. The words and images of trash pickers wearing discarded protective suits in Nairobi, and scavengers plunging their bare hands into thousands of tons of garbage in New Delhi, reveal a community of marginalized workers who struggle to get vaccinated despite providing a service many consider essential.https://bit.ly/3utbKO7https://bit.ly/3fNIDAZhttps://bit.ly/2R8XA6l

Beat of the Week

(Honorable Mention)

AP exposes offensive Pennsylvania police Facebook page

teamed up to reveal a private Facebook page where western Pennsylvania police officers shared distasteful and malicious posts. Lauer had heard rumors of the page and spent a year gently working sources in Pittsburgh until one finally confirmed the Pittsburgh Area Police Breakroom page existed. The source, over a few months, helped Lauer, a member of AP’s law enforcement team, acquire information found on the page, including transphobic, racist and bullying posts.

Lauer, along with news associate Beaty, took a hard look at the officers with the most egregious posts. She then went to Pittsburgh with New York video journalist Shaffrey and Pittsburgh photographer Srakocic to confront some of the officers, including a police chief listed as an administrator of the Facebook group. The result was an all-formats investigative story that appeared on numerous newspaper landing pages and generated high engagement on social media. Facebook reached out to AP not long after the story went live to say the offensive page was removed for violating company policy and to give an official comment. https://bit.ly/3wjaGhohttps://bit.ly/3ug6Dkr

Best of the States

AP all-formats team looks at town’s Black reparations through the eyes of a retired professor

When the college town of Amherst, Massachusetts, began taking a hard look at paying reparations to Black residents, the AP's Boston bureau set about using it as a backdrop for a national look at where things stand on making amends for the lingering effects of slavery.

The team of video journalist Rodrique Ngowi, reporter Philip Marcelo and photographer Charlie Krupa soon found the perfect subject to make the project character-centered: 96-year-old former University of Massachusetts professor Edwin Driver, who arrived on campus in the 1940s as one of the nation’s first Black faculty members at a flagship university — only to find no one would sell him a house. He said he was denied pay raises for decades.

The all-formats team came away with a powerful and illuminating portrait of a Black man who'd been wronged — a compelling way to frame the earnest but complicated public effort to address injustice. 

For impactful and highly visual storytelling that helped put a face on a provocative and politically charged issue — one the nation will be wrestling with for years to come — Ngowi, Krupa and Marcelo earn the week’s Best of the States honors.

Beat of the Week

(Honorable Mention)

AP: WHO knew of sex misconduct by personnel in Congo

revealed that, contrary to World Health Organization claims, WHO senior management did know about at least two cases of doctors accused of sex abuse and misconduct during the Ebola outbreak in the Democratic Republic of Congo, but did not fire or even apparently discipline them.Health and science reporter Cheng advanced the story by putting names, for the first time, to the implicated doctors and a senior manager. She discovered that WHO managers even witnessed an agreement in which a WHO doctor agreed to pay a young woman he had allegedly impregnated.While Cheng worked with her sources, Congo stringer Kudra Maliro tracked down several alleged victims of both doctors, adding text and images. The investigation was based on interviews with dozens of WHO staffers, Ebola officials in Congo, private emails, legal documents and recordings of internal meetings obtained by the AP.The story drew strong and immediate international response. Paula Donovan, co-director of a group that tracks sex abuse, wrote: “Never ... have I seen such a detailed exposé containing so many unanswerable indictments against so many UN personnel. You’ve broken real ground here.”https://aplink.news/f39https://aplink.video/pk5

Best of the Week — First Winner

A master class: AP teams deliver sweeping coverage of the migrant surge at the US-Mexico border

When the U.S.-Mexico border became a major front-page story again in recent weeks, the AP set out to tell the story of newly arriving Central American children and families in trademark AP fashion: with compelling all-formats journalism and richly reported viewpoints from migrants to bring perspective to readers on the topic of immigration.

Photographers Julio Cortez and Dario Lopez-Mills, reporters Adriana Gómez Licón and Elliot Spagat, and video journalists Eugene Garcia and John Mone answered the call and more, delivering a string of stories last week that amounted to a master class in how to cover the border.

Among the highlights were the story of a 7-year-old girl crossing the border without her parents in the middle of the night, the story of migrant families dumped by the Biden administration in a dangerous Mexican border town while other families in the same circumstance gained entry into the U.S., and in-flight coverage of a 5-year-old Honduran immigrant en route to Baltimore. The immersive multiformat work received tremendous play. 

For bringing to life the human stories of those seeking entry to the United States, especially the sharp increase in the number of families and children in recent weeks and the struggles of border officials to cope, Gómez Licón, Cortez, Mone, Spagat, Lopez and Garcia share AP’s Best of the Week honors.