for an exclusive story showing that the problem of theft at VA hospitals is worse than at private hospitals and that the number of criminal cases continues to grow. http://apne.ws/2r6qCkF
Just as a second surge of coronavirus cases peaked in France, Associated Press journalists secured exclusive, hard-won access to an intensive care unit in southern France’s largest hospital for 24 hours, capturing the exhaustion, loneliness and dedication medical workers desperately struggling to save lives.
After a full day embedded with the ICU team, AP freelance photographer/video journalist Daniel Cole and global enterprise reporter Lori Hinnant came away with a searing, intimately reported all-formats account of Marseille’s La Timone hospital, as medical staff tried to keep even one bed open.
For their dogged pursuit of access, tireless reporting and sensitive, compelling and timely storytelling, Cole and Hinnant earn AP’s Best of the Week award.
With the U.S. slowly emerging from COVID-19, it might be easy to assume that the pandemic will soon be in the past, but for many, particularly health care workers, the trauma of what they experienced while caring for deathly sick patients will be with them for years to come.
To capture the idea that the past can be part of the present, Los Angeles photographer Jae Hong focused on intensive care nurses at a Southern California hospital who had taken care of extremely ill COVID patients and, despite all efforts, had lost many. That ward closed this spring, but the memories endure for these nurses.
Hong’s approach called for a photo technique not typically used in reporting the news: He made multiple exposure portraits of 10 of the nurses in the hospital, resulting in haunting images that show each nurse both in the photo, the present, and seemingly somewhere else in the past.
Accompanied by revealing interviews, the piece played widely in the U.S. and beyond, and attracted attention on social media.
For arresting, interpretive photography that evokes the lingering effects of the pandemic on these front-line medical workers, Hong earns this week’s Best of the States award.
secured exclusive international agency access to a hospital battling coronavirus and casualties in the Nagorno-Karabakh conflict zone.Chernov and Lovetsky had been on the front line of the disputed region within Azerbaijan for more than a week when they began to see increasing numbers of people becoming sick with the coronavirus. Repeated requests to document the hospitals and clinics were rebuffed until Chernov tracked down the region’s health minister to personally request access. The minister granted permission.Wearing full protective gear carried with them from previous reporting in the Ukraine, the pair visited the main hospital in Stepanakert and found terrible scenes of suffering as coronavirus patients mixed with the war-wounded – while doctors and nurses continued to treat people despite suffering from the virus themselves. Their on-the-ground reporting was crafted into a powerful text story by Vladimir Isachenkov in Moscow and the story moved as cross-format agency exclusive the next day.https://bit.ly/3oCN57Ohttps://bit.ly/34BY9Kp
As the coronavirus pandemic enters a new phase in a reopening nation, its psychological toll is sinking in for the frontline workers who have cared for the sickest patients.
Writer Jennifer Peltz, video journalists Robert Bumsted and Ted Shaffrey, and photographer John Minchillo went into New York City hospitals to see the impact in person, in real time and on the record. They interviewed health care workers and spent time with them on the job, seeing firsthand the lingering effects of months spent treating COVID-19 patients.
“In my wildest dreams, I never imagined how hard it would be,’’ one doctor said.
For a fully rendered package that takes a close personal look at this important aspect of the pandemic, the team of Peltz, Bumsted, Shaffrey and Minchillo earns this week’s Best of the States award.
produced a sweeping set of stories to mark the first anniversary of the massive Beirut port explosion, with the emphasis on character-driven pieces that underscore the suffering experienced by survivors of the blast and families of the victims, one year later. With that in mind, reporter Mroue, senior producer Abuelgasim and photographer Hussein told the tragic tale of a 21-year-old nurse who died at work, weaving her story together with that of a couple whose son was born minutes later in the same hospital amid the chaos of the blast. The result was a stunning all-formats narrative embedded with dramatic family video and hospital-supplied footage from the day of the blast. The Beirut crew worked closely with digital storytelling producers and editors Raghuram Vadarevu and Natalie Castañeda. AP’s online video, created by deputy regional news director Balint Szlanko, was heavily used and widely shared on social media.Meanwhile, El Deeb reported — with photos by Ammar — on grieving families seeking justice and accountability for their deceased loved ones; she also collaborated with news director Karam on the anniversary mainbar which was accompanied by compelling photos and video by Abuelgasim and cameraman Tawil. El Deeb and Abuelgasim also teamed up with photographer Malla for a piece on conservators painstakingly rebuilding and restoring a landmark Beirut museum.In the days surrounding the actual anniversary, the staff shifted its coverage to breaking news as masses of protesters took to the streets, some clashing with police as they demanded that officials be held responsible for corruption and indifference leading to the tragedy.https://aplink.news/u59https://aplink.news/b1dhttps://aplink.news/dmjhttps://aplink.news/alyhttps://aplink.video/z0j
For years, the federal government has denied widely sharing its terrorist watchlist with the private sector. But American Muslims have long had suspicions to the contrary, as those mistakenly placed on the list faced everyday difficulties ranging from making electronic bank transfers to boarding airplanes.
Source building and careful document review by Northern Virginia correspondent Matthew Barakat finally revealed that the federal government shares its terrorist watchlist with more than 1,400 private entities, including hospitals and universities. The government’s acknowledgement of the practice, buried in a civil lawsuit, was significant because officials have repeatedly denied that the list was given to private groups. Barakat’s sources and his thorough coverage of the 2-year-old case had him ready to jump on the filing as soon as it became public.
His APNewsBreak on Feb. 19 earned wide attention, including hundreds of members using the story. Others scrambled to catch up, with The Washington Post crediting AP for breaking the story when it ran its own version in the paper.
Over the next two days Barakat was also first to report on a call for a congressional probe, and he was the only reporter in court when a federal judge berated government lawyers, ordering them to disclose the private sector entities to the lawsuit’s plaintiffs.
For his methodical document work and source-building that helped hold the federal government accountable, Barakat wins this week’s Best of the States award.
for being the first to get inside access to hospitals in Caracas for a powerfully reported story about unhealthy conditions. http://apne.ws/2dGMQsa
To explore the pandemic’s devastating toll on children’s mental health, AP’s Paris team gained extraordinary access to the psychiatric unit at France’s busiest pediatric hospital.
Paris correspondent John Leicester worked for months to build trust with hospital authorities and workers. Once inside, Leicester, photographer Christophe Ena and video journalist Nicolas Garriga discreetly documented activity in the unit while protecting the privacy of the young patients. Told notably through the story of an 11-year-old who starved himself so severely that he required emergency care, the package showed how the mental health of children is affected under the weight of lockdowns, curfews, family upheavals and school closures.
The resulting all-formats package — including evidence of the problem in other parts of the world — was widely used by AP customers.
For a sustained effort to gain access, and sensitive, revealing coverage on this issue touching children and families globally, the trio of Leicester, Ena and Garriga earns AP’s Best of the Week award.
At great personal risk, AP’s team in Mariupol produced some of the bravest, most revealing work out of Ukraine. The backstory of their determined reporting is masterfully retold by Paris-based writer Lori Hinnant in a blockbuster, all-formats package that riveted readers around the world.
The stunning video, photos and text produced during 20 days and nights in Mariupol also contributed to an impressive AP collaboration with PBS Frontline, documenting Russian attacks on medical facilities, ambulances and medics — a deeply reported package in an ongoing effort to build the case for war crimes.
For extraordinary work in Mariupol and for telling the tale of the AP’s courageous journalism there, Mstyslav Chernov, Evgeniy Maloletka, Vasylisa Stepanenko and Lori Hinnant share AP’s Best of the Week alongside the war crimes reporting team of Erika Kinetz, Michael Biesecker, Beatrice Dupuy, Larry Fenn, Richard Lardner, Sarah El Deeb, Jason Dearen and Juliet Linderman.
Photographer Jae Hong wanted to tell the story of the nurses on the front lines of the battle against coronavirus. Not just the long, stressful hours caring for patients, but the fear they carry home of spreading the virus to their own families.
Hong found a Los Angeles-area hospital that would grant access to the COVID unit, then he and reporter Stefanie Dazio spent hours getting to know the nurses and asking to meet them at their homes for interviews and photos.
The result was an intimate, beautifully rendered look at the nurses, their dedication and their sacrifices. The story included a nurse who is a new mom, comforting a patient’s family as the man took his last breaths.
For a poignant and revealing look at nurses’ commitment to both their patients and their families during the pandemic, Hong and Dazio share this week’s Best of the States award.
told the story of New York City’s besieged emergency rooms, where overwhelmed nurses, doctors and paramedics face warzone-like conditions. The reporting team mined sources developed over the years and others on social media to reveal caregivers contending with a flood of sick and dying patients, equipment shortages and the impossible task of deciding who lives and who dies. With hospitals closed to cameras, photo staffers, notably Mary Altaffer and John Minchillo, documented the story with shots of exhausted-looking health workers and paramedics coming and going from hospitals amid makeshift morgues and lines of anxious people waiting for tests.https://bit.ly/2w423guhttps://bit.ly/2R7dY4F
Rarely is the difference so stark between news organizations that subscribe to the AP and those that don’t. That’s down to the tireless efforts of AP staffers around the world who have reported, edited, planned, provisioned and advised to make our coverage of Ukraine truly stellar. And it’s especially true in the coverage of a single city that has seen some of the war’s worst horrors.AP’s Germany-based video journalist Mstyslav Chernov, photographer Evgeniy Maloletka and freelance producer Vasilisa Stepanenko have been the only international journalists to chronicle the tragedies of Mariupol. The team was recognized with last week’s Best of the Week award, and their unflinching coverage continued, the world riveted not only by their presence, but by their stunning journalism. Amid the chaos, they have found stories so moving — and told them so compellingly — that it’s impossible to tell the broader story of Ukraine without them.Usage for the work has been extraordinary. “Their images,” wrote Nick Schifrin of PBS NewsHour, “are defining this war.”For courageous, must-have coverage from the heart of the world’s biggest story, the team of Chernov, Maloletka and Stepanenko is AP’s Best of the Week — First Winner.
leveraged preparation, source reporting and probing questions to set the standard for coverage of President Donald Trump’s COVID-19 diagnosis.AP’s White House crew was already juggling news about a new Supreme Court nominee, revelations about Trump’s tax records, a chaotic presidential debate and controversy over the president’s stand on white supremacy, when word came Thursday night that top adviser Hope Hicks had tested positive for the coronavirus. The reporting team sprang into action to develop the story and explore the implications for Trump and those around him. By 12:30 a.m., they’d pushed the story as far as they could, and the White House gave no guidance on when test results for the president and first lady would be known.Colvin was still up, though, when Trump tweeted just before 1 a.m. that he and Melania had tested positive. The APNewsAlert moved at 1:02 a.m., and a full writethru packed with context – drawing heavily on AP’s preparedness for just this scenario – was out a minute later, giving newspaper editors around the country time to frantically remake the next day’s front pages. Over the next three days, through two dozen news alerts and more than 100 writethrus, the three reporters collaborated on sharp reporting and probing questions to tell the remarkable story of a president in both a health crisis and a credibility crisis of his own making. The team’s work broke news and dominated play throughout the weekend. https://bit.ly/3d6bJIqhttps://bit.ly/36GP04thttps://bit.ly/3ntDyiEhttps://bit.ly/2SyroGX
worked nonstop for weeks to gain access to the launch of the COVID-19 vaccine campaign, the largest vaccination program in U.S. history. They reached out to old sources and spent weeks cultivating new ones, breaking down barriers to ensure that AP was positioned to cover the story – from trucks rolling with vaccine deliveries to the first jabs in arms.The source reporting paid off. Tips were aggressively followed and coordination between video, photo and regional news desks led to robust back-to-back all-formats pieces on the rollout of the Pfizer vaccine, including healthcare workers receiving injections. Video went live from several hospitals that were among the first to vaccinate front-line workers.Play was unmatched. The vaccine shipment story appeared appeared on more than 2,500 news sites and landed on at least 69 front pages including the Chicago Tribune, the Detroit News, the Kansas City Star and others.The story of the initial vaccinations appeared on at least 1,300 news sites and 64 front pages, including the St. Louis Post-Dispatch, the Chattanooga Times Free Press, the Orange County Register and others. And The New York Times used AP photos as its lead image on consecutive days.https://bit.ly/3nYf15rhttps://bit.ly/3hdKNIUhttps://bit.ly/3mKf57o
In the year since COVID-19 surfaced, journalists for The Associated Press have produced an impressive array of stories documenting its grim march around the world. Conveying the extent of disruption and death wrought by the virus in 2020 warranted a marshaling of AP’s global resources for a one-of-a-kind project: the Pandemic Atlas.
The collaborative effort included a compendium of how 13 countries responded to the crisis, six character-driven videos and compelling photos. Deeply reported text stories were translated into Spanish, while the videos received Arabic and Spanish edits. All made possible by the dogged and authoritative work of AP’s field journalists, editors and producers around the world.
For an outstanding display of planning, teamwork, ingenuity, storytelling and presentation on the story that shaped 2020, the Pandemic Atlas — and the scores of AP journalists around the world who contributed — are recognized with AP’s Best of the Week award.
dug behind the scenes to reveal the extraordinary lengths one man went to in caring for his COVID-19-stricken mother-in-law and other relatives — the nurse created an intensive care unit in his home. Kantouris won the international competition to track down the man whose feat had begun to appear in local media reports. He interviewed nurse Gabriel Tachtatzoglou, delving into his motivations and methods for taking on the high-risk endeavor. Tachtatzoglou had spared his family members from hospitalization in an overburdened local facility while simultaneously easing the patient load in Greece’s most heavily affected region, where ICUs were already at capacity. Visuals were a challenge as the makeshift ICU was dismantled when the family recovered, but photo stringer Papanikos complemented the story with a visit to the home for a portrait shoot. Athens staffer Derek Gatopoulos drafted this installment of AP’s “One Good Thing” series, which was picked up even by the Greek press. https://bit.ly/3oy9nHv
returned to the Ukraine to follow up on their May coverage of the country’s outbreak of COVID-19, finding that over the past five months the situation has deteriorated even more. Amid a critical shortage of doctors, the virus has recently made a fierce comeback and many of the healthcare workers they previously documented have since died of the virus.The pair focused on a small hospital in the western part of the country that had been designed for 100 patients but already held 106. They also told the powerful story of a 51-year-old therapist, featured in their earlier story describing the challenges of the outbreak. The man had died the previous week of double pneumonia, which his colleagues believe was caused by the coronavirus, even though he tested negative for it. The therapist’s widow told Chernov she was grateful for AP’s coverage earlier in the year: The stories were so widely published that the whole country knew of her husband and was mourning his death with her.Working with reporter Yuras Karmanau, currently in Kyiv, Chernov and Maloletka produced a deeply reported text story, two exclusive video stories and a comprehensive photo package that gave an intimate look at the crisis in Ukraine. The all-formats work was used by numerous key AP customers.https://bit.ly/3iUbjGv https://bit.ly/3nMI63Mhttps://bit.ly/3lLt64Ghttps://bit.ly/2SO71G6
Rarely does a Best of the Week award to go to a single AP journalist for work on a variety of stories. But the consistent excellence in the images of Barcelona-based Emilio Morenatti – on stories large and small – moved the judges to make an exception.
He started the week with a powerful story on migrants crossing a treacherous stretch of the Atlantic to the Canary Islands. And he finished with a remarkable set of photos on a COVID-19 patient, wheeled in his hospital bed to a promenade on the Barcelona waterfront. In between those stories he covered soccer star Lionel Messi’s spat with Barcelona, daily life and more.
Each of his assignments reflected the highest standards of visual journalism and a level of emotional investment that few can match, earning Morenatti AP’s Best of the Week accolade.
worked sources and turned a tip into an exclusive story detailing how Vice President Mike Pence ordered the U.S. Centers for Disease Control and Prevention to use the pandemic as justification to halt immigration into the U.S., over the objections of the agency's scientists who twice refused to take the action.
Burke notified Dearen, who started working CDC sources. After a couple of fruitless weeks, he succeeded in identifying a person close to the events who agreed to talk, and a former Pence aide who confirmed the story on the record.
Meanwhile Burke moved the story beyond politics to bring home the order’s human toll. She gathered data that showed nearly 150,000 people, including 8,800 migrant children, already had been expelled under the order, and she interviewed the father of a 16-year-old Honduran boy who had been held in government custody under the order.
Even on a weekend dominated by news of Trump’s hospitalization, the piece was the top story on AP News and was widely used and cited by local and national news outlets. https://bit.ly/2SvTB14
