Beat of the Week

(Honorable Mention)

Video, photos lead competitive coverage of Florida crash

for speed and resourcefulness that gave AP video and photos a clear win over the competition, providing live, distinctive close-up visuals of a commercial jet that skidded into a river from a military base runway. Replogle broadcast first agency live video from a unique vantage point on a resident’s dock, then he and McCullough secured a speedboat for an even closer look, again sending live video and exclusive stills. https://bit.ly/2JgrtfYhttps://bit.ly/2V7ekaEhttps://bit.ly/2PQtCj1

Best of the States

Requiem for Paradise: Remembering the sweet life of a town wiped out by wildfire

It’s not often you have to write an obituary for a town. Yet that’s what Martha Mendoza and Jocelyn Gecker did, with Gillian Flaccus producing a compelling video component. Their tribute to Paradise, California – leveled by a devastating wildfire that killed so many residents – painted a picture of all that was lost. Paradise was a gold prospector’s town, then a lumber town, and until two weeks ago was the home of 27,000 people “who lived and loved here; they built homes and businesses, schools and houses of worship, parks and museums that proudly honored Paradise's place in American history.”

Mendoza worked from the field, in the ashes of the town, with Gecker in San Francisco tracking down leads, helping to write the finished piece and finding photographs to illustrate “the town’s history and spirit.” Their nuanced reporting, along with that of many colleagues, drew forth tales of town holidays, and residents ruminating whether those staples of small-town America would continue.

The accompanying video by Gillian Flaccus, recorded during a ride-along with a long-time resident, complemented the text piece by showing street after street of utter devastation over the man’s narration.

Paradise is gone, and until it rebuilds in some fashion, Mendoza, Gecker and Flaccus have given the world the definitive piece on what it represented. For their deft depiction of the town behind the headlines, the trio wins AP's Best of the States.

Best of the Week — First Winner

Cataclysmic fires cap off week of momentous and devastating news in California

California’s news staff still was in the midst of reporting the tragic night-spot shooting in Thousand Oaks when news reached the AP that a wildfire in Northern California was spreading quickly, sending thousands fleeing.

Bay Area freelance photographer Noah Berger, as good a fire chaser as there is anywhere, tipped the office off that the Northern California fire looked explosive. By 11 a.m. Sacramento reporter Don Thompson was hitting the road, and a first AP NewsAlert moved saying people fleeing for their lives had abandoned vehicles as the fire swept in.

AP’s all-formats coverage went into high gear, with staffers pouring in from the region. In addition to Thompson, who stayed at the scene with fire crews for several days straight, Portland, Ore., all-formats reporter Gilly Flaccus arrived, producing unmatched interviews in text and video of survivors and of crews searching for the remains of those killed. San Francisco reporter Paul Elias gathered information on the dramatic rescues and chaotic evacuation, while Las Vegas photographer John Locher and Denver videographer Peter Banda provided gripping visuals from the scene.

AP was first to report thousands of homes destroyed, first to report a named victim, and we were alone in accompanying a search and recovery crew in all formats as they went to a victim’s home and found her remains.

The coverage was nuanced and emotional. California News Editor Frank Baker says there was no one on the California staff who didn’t contribute, working unrelentingly from last week’s elections and mass shooting straight into the wildfire.

For outstanding work, bolstered and supported by California’s all-formats reporting staff and editors, Thompson, Flaccus, Elias, Berger, Locher and Banda share this AP's Best of the Week.

Best of the Week — First Winner

AP Exclusive: Kushner organization routinely filed false NYC housing documents

It started with a tip about tenants being harassed at a cluster of New York apartment buildings owned by Jared Kushner's family.

Bernard Condon, a New York-based business writer, began reporting the story last year, visiting buildings and interviewing the tenants, some of whom told similar stories of being subjected to loud construction at all hours, dust, rodents, lead paint in the air and heat suddenly shut off in the winter. Then, some were approached with offers of money to get them to move so the company could install higher-paying tenants.

But the tip did not truly develop until a tenant advocate source told Condon that Kushner Cos. had filed false paperwork for two buildings elsewhere in the city that made it easier to harass tenants during construction. Further, the organization had filed paperwork saying it had zero rent-regulated tenants in buildings throughout the city when, in fact, it had hundreds.

If the Kushner Cos. had disclosed those rent-regulated tenants, it could have triggered stricter city oversight, including possibly unscheduled "sweeps" on site by inspectors to keep the company from harassing tenants.

For dogged reporting that exposed the falsehoods of a company led by the president's son-in-law and trusted adviser, Condon earns the Beat of the Week.

Best of the Week — First Winner

Raqqa drone video reveals shocking devastation

The scene is dreamlike – or, more precisely, nightmarish. The untethered camera swoops and swerves through a depopulated wasteland of rubble and bombed-out buildings and wrecked vehicles.

This is Raqqa, devastated capital of the Islamic State group’s self-proclaimed caliphate. And this extraordinary footage – the Beat of the Week – was brought to viewers around the world by freelance drone videographer Gabriel Chaim. He shares the prize with Mideast photo editor Maya Alleruzzo.

Best of the Week — First Winner

AP team delivers exclusive all-formats coverage of Somalia’s deadliest attack

It was the deadliest single attack in Somalia’s history, and one of the world’s worst in years.

When the massive blast occurred on Saturday, Oct. 14, Associated Press video journalist Mohamed Sheikh Nor was playing with his 10-month-old daughter at their home. He immediately knew it was not an average Mogadishu bombing.

He grabbed his wife and wailing daughter and, covered in dust, escaped unharmed. “Outside, we could see the explosion was close to us. It was just 70 steps away from our home.”

Recognizing the unprecedented force of the explosion in a city long targeted by the Islamic extremist rebels of al-Shabab, Sheikh Nor insisted to editors that the casualties would be well over 100. He and his AP colleagues hurried to the scene, where buildings had been mangled and overturned cars were ablaze. The all-formats team – comprising Sheikh Nor in video, AP photographer Farah Abdi Warsameh and AP text reporter Abdi Guled – delivered the first stunning images and stories of grief from the smoking scene. Their courageous, traumatic and heart-rending effort earns this week’s Beat of the Week.

Best of the States

​ONLY ON AP: Tractor-trailer trafficking survivor says people cried for air, begged for water

Houston newsman Frank Bajak headed to San Antonio with an overriding goal: Get an interview with a survivor of the immigrant-smuggling nightmare that claimed the lives of 10 people in the suffocating heat of a nearly sealed tractor-trailer.

The challenge was daunting. Survivors had been distributed among seven hospitals in the pre-dawn hours on the Sunday they were discovered in the truck outside a Walmart, with immigration and border patrol guards standing vigil outside their rooms.

Bajak's persistent, resourceful and ultimately successful effort to a secure that exclusive interview is recognized with this week's Best of the States prize.

Best of the States

AP provides superior coverage of Oakland warehouse fire that killed 36

As soon as the flames were doused on an Oakland, California, warehouse known as the Ghost Ship two things were clear: The death toll would be huge, and telling the story would be complicated. It took a cross-format team effort to tell the story, and the staff in California rose to the occasion, including incoming San Francisco news editor Juliet Williams, who got an early start on her new job, dashing to the bureau from Sacramento to run the story.