combined for a deeply reported, critical look at New York Gov. Andrew Cuomo’s handling of coronavirus outbreaks in his state, which has suffered the most nursing home deaths in the country. The AP story was followed the next day by Cuomo announcing major changes addressing concerns raised by AP’s reporting.https://bit.ly/2WLPDmIhttps://bit.ly/2WYHU55
analyzed all the arrests over the last two weeks in Washington and Minneapolis, concluding that there is little evidence of “antifa” or “radical left” protest groups provoking violence as President Donald Trump claimed. The story, rich with detail, described who the real protesters were. Among them: a balloon artist, a cellist and a law student. But it was the heft of the reporting – acquiring and scouring hundreds of records in a limited amount of time – that made the anecdotal aspects of the story all the more credible. https://bit.ly/3f80JtW
China and the Trump administration had opposing narratives about the early days of the new coronavirus epidemic: China bragged about providing information quickly to the world through the World Health Organization, while the Trump administration accused China and WHO of colluding to hide information.
It took The Associated Press – drawing on recordings, documents and interviews – to tell the definitive story: Rather than colluding with China, WHO itself was being kept in the dark, praising China in public to shake loose information while expressing considerable frustration in private.
AP’s widely praised story, months in the making, was so sensitive that we did not name the two main journalists to avoid blowback in China and to prevent anyone from identifying our sources.
For in-depth reporting that drew back the curtains and punctured the preferred narratives of China, WHO and the Trump administration at the same time, the AP reporters who produced this stunning piece earn Best of the Week honors.
When smartphone video emerged more than two months after Ahmaud Arbery was killed by a white father and son while running through a Georgia neighborhood, the case burst into the national consciousness. AP race and ethnicity writer Aaron Morrison headed to Brunswick, Georgia, seeking to tell the full story of the 25-year-old’s life.
Morrison and video journalist Sarah Blake Morgan interviewed Arbery’s mother on the road where her son was killed. That conversation became a centerpiece of the text and visual package, with further reporting by Russ Bynum and Kate Brumback completing the picture.
For a nuanced and unflinching profile of Arbery’s life that spotlights the racism experienced by many young black men and captures the pain of a grieving family, Morrison, Morgan, Bynum and Brumback share this week’s Best of the States award.
With contact tracing in the spotlight as one of the keys to stopping the spread of the coronavirus, journalists across the AP have sought access to the investigators, only to be rebuffed for privacy concerns. But Utah-based correspondent Brady McCombs convinced a county health department that he and photographer Rick Bowmer could show the world how contact tracing is conducted, while protecting private details.
Once they were in the door, the curtain rolled back. The pair spent parts of five days shadowing investigators as they talked, commiserated and cajoled people to comply with tracing – something simply unseen in other coverage or descriptions of contact tracing.
And in a major break, McCombs used social media to identify one of the subjects of tracing, getting exclusive all-formats access to tell the story of a family on the other end of a tracer’s call.
For a timely and revealing package on a vital element of the pandemic response, McCombs and Bowmer share this week’s Best of the States award.
The end of May saw unprecedented news: The coronavirus pandemic continued to spread infection and wreak economic havoc around the globe, while much of the world’s attention pivoted suddenly to protests across the U.S. that spread to Paris, London, Australia and elsewhere after the suffocation death of George Floyd in Minneapolis on May 25.
This week’s Best of the Week recognizes AP’s work surrounding each of those mega-stories, with top honors going to Baltimore-based photographer Julio Cortez for his iconic photo of a protester holding an American flag aloft, and to the AP all-formats team in Brazil for continuing coverage of the virus in a nation being ravaged by COVID-19.
As the COVID-19 pandemic raged across the world last week, and the confirmed U.S. death toll approached 100,000, AP photographers on two continents found unusual and meaningful ways to bring home the tragedy of lives lost. They were:
– Photographer David Goldman, who met with the families of COVID-19 victims at a Massachusetts soldiers’ home, literally projecting veterans’ images onto the exterior of the families’ homes for a series of arresting, ghostly and emotion-laden scenes.
– And Rodrigo Abd, who spent weeks with Venezuelan migrants collecting bodies in a poor area of Lima, Peru, showing the abject desperation of that city’s victims. Also honored is Lima reporter Franklin Briceño who accompanied Abd, documenting for text and video the funeral home workers on their grueling rounds.
Both projects had immense impact online and in print, drawing praise from readers and editors. For intrepid and creative multiformat storytelling emphasized by unforgettable images, Goldman, Abd and Briceño share AP’s Best of the Week honors.
spotted something unusual about the N95 mask shipment they were shown in Southern California in early April – the eagerly awaited masks matched those on the counterfeit warning page of the Centers for Disease Control and Prevention. The pair spent the next few weeks contacting U.S. importers and distributors who were selling and giving away the same Chinese-made masks, informing them the masks were fake while reviewing shipping records, broker contacts, invoices and packaging. Their story about how one brand of counterfeits infiltrated the U.S. supply chain served as an example of how the lack of coordination amid massive shortages plunged the country’s medical system into chaos. https://bit.ly/2XgMxHU
For weeks, critics had complained that the Trump administration was putting political concerns ahead of scientific recommendations from the Centers for Disease Control.
A blockbuster AP scoop amplified those complaints: Reporters Jason Dearen and Mike Stobbe worked sources to reveal that President Donald Trump’s administration shelved the CDC’s guidelines containing step-by-step advice to authorities on how and when to reopen businesses and other public places during the pandemic.
The story dominated news media and was by far the best-performing story on AP News for the week. And in a follow-up exclusive, Dearen reported on documents showing the decision to withhold came from the highest levels of the White House, and that the Trump administration ordered key parts of the CDC guidelines fast-tracked for approval after the AP’s story appeared.
For a major scoop that resonated among customers and readers and finally brought to light the scientists’ suppressed guidelines for how the country should reopen, Dearen and Stobbe win AP’s Best of The Week award.
Telling the stories of people who have suffered devastating losses is difficult at the best of times, but with this story, focused on one predominantly black rural county in southwestern Georgia where the pandemic is hitting hardest among some of America’s most exposed, the all-formats team of Claire Galofaro, Brynn Anderson and Angie Wang also had to cope with the challenges of reporting in a pandemic.
The journalists knew they would have to take cautious risks to tell this important story, while also dealing with the emotional and ethical issues of potentially putting the people they spoke to in danger. They spent much of their time sorting out how to best protect their sources, while also getting a story worthy of the risk those sources were taking to tell it.
That story, intimately told and richly illustrated, connected with readers, some of whom said it made the pandemic finally feel real. Many said it inspired them to act, and others wrote to compliment the journalism.
For a significant, poignant package that reveals in personal terms the already deep inequities exploited by the pandemic, Galofaro, Anderson and Wang are recognized with this week’s Best of the States award.
With African American and Hispanic communities in the Houston region already suffering higher rates of asthma and other diseases than the nation at large, AP’s Ellen Knickmeyer decided to focus on the area for a story on ordinary Americans living through the Trump administration’s public health and environmental rollbacks.
The administration was cutting back on rules limiting and monitoring harmful industrial pollutants, slashing enforcement and weakening an industrial-disaster rule.
Knickmeyer, a Washington-based environmental issues reporter, spent months searching out Houston residents, telling their stories along with deep reporting on the regulatory actions and their consequences.
Former EPA Director Gina McCarthy was among many retweeting the story, calling it a “must read” article.
For a rich, insightful look at the consequences of the Trump administration’s regulatory rollbacks on vulnerable communities, Knickmeyer wins this week’s Best of the States award.
broke new ground for AP, creating popular new features for the court’s first-ever arguments by telephone with live audio. The pair revived the AP SCOTUS Twitter account @AP_COURTSIDE to live-tweet trivia, analysis and details during the arguments, they worked with the AP broadcast team to get AP pool access to the live audio, and they came up with a brand-new wire feature they also called “Courtside” – a more live-blog style of breaking news to help the public understand what they were hearing (including that weird toilet flush sound during one argument). That approach could become a model for covering future live news events.The features introduced by Sherman and Gresko attracted readers and followers, and complemented AP’s comprehensive stories on the court sessions.https://bit.ly/2WWadB9https://bit.ly/2YYAf9lhttps://bit.ly/2Wuubnk
In a gripping exclusive that reads like the plot of a Hollywood film, Latin America correspondent Josh Goodman revealed the failed plot to oust Venezuelan President Nicolás Maduro by a ragtag group of 300 volunteers led by a former U.S. Green Beret. The ill-conceived plan called for the group to invade Venezuela from Colombia and ignite a popular rebellion that would end in Maduro’s arrest.
The plot was uncovered and dismantled with barely a whisper, but a cryptic tip to the well-sourced Goodman planted the seed of the story. Over the next several months he reviewed documents and interviewed more than 30 Maduro opponents and aspiring freedom fighters with knowledge of the plot, piecing together the narrative with a strong assist from investigative researcher Randy Herschaft.
Goodman’s story broke and reaction was strong: International media struggled to catch up and authorities in the U.S. and Colombia launched investigations. Senate Democrats have sent a letter to the Trump administration demanding answers.
For his impressive scoop on the failed coup that has been dubbed “The Bay of Piglets,” Goodman and Herschaft win AP’s Best of the Week award.
With coronavirus infection and death rates mounting, hospitals in the New York City area imposed strict guidelines allowing only a small handful of media outlets limited access. After weeks of reaching out to hospitals, St. Joseph’s in Yonkers agreed to give the AP access to its emergency room and screening tent.
But only one journalist would be allowed into the hospital. Versatile New York staff photographer John Minchillo was an easy choice.
Once inside in full protective gear, Minchillo connected with the hospital staff, who also granted access to the intensive care unit. He made the most of the next four hours, working in all formats to capture the mundane and the extreme, including the dramatic moments when a COVID-19 patient in cardiac arrest was saved. Turned around virtually overnight, Minchillo’s all-formats package was heavily played by major media outlets.
For his powerful, comprehensive all-formats storytelling that takes us inside medical workers’ daily fight save lives against the coronavirus, John Minchillo wins AP’s Best of States Award.
delivered a well-designed, executed and reported survey of American adults about the coronavirus, providing customers with days of data-driven Only on AP content that brought context and data-driven clarity to our coverage. Among the findings: Despite images of protests against stay-at-home orders that dominated newscasts and front pages, this APNewsAlert set the record straight: “AP-NORC poll: Majority of Americans say it's unlikely it will be safe enough to lift virus restrictions anytime soon.”https://bit.ly/3f31uFphttps://bit.ly/2yX4baR
teamed up to provide the first public look at large publicly traded companies getting money set aside by Congress to help small businesses. https://bit.ly/2VKZtGe
used the power of the AP to highlight an almost unfathomable fact – the federal government and many states have not publicly tracked coronavirus infections and deaths in individual nursing homes – and their story was followed very quickly by policy changes. A day after their story appeared, New York announced it would indeed release a list of individual nursing homes and how many deaths each one had. And less than a week later, the federal government announced it would begin the same process.https://bit.ly/2VRcP2Khttps://bit.ly/2yAhgaf
produced three moving photo essays that intimately portray the daily lives of two nurses and a doctor in northern Italy who agreed to not only let AP into their workplaces, but their homes. The team set out to capture with context and detail what a day was like for health care workers, showing their efforts – sometimes fruitless – to help patients survive the coronavirus, and the sacrifices they must make to avoid bringing the virus home to their families.https://bit.ly/3aBVgc6https://bit.ly/2zuerbfhttps://bit.ly/3eQyLUq
found themselves in a city that had gone to ground. Faced with the challenge of photographing the absence of life in a city normally teeming with it, they took more than a dozen motorcycle trips through a New York virtually emptied by the virus, making raw, “drive-by” images. They recorded ghostly pedestrians, lone workers, eerie post-apocalyptic streetscapes and shrouds of fog. And while the virus is unseen, the threat of it appears in the eyes of the people still on the street.https://bit.ly/2Vz99nlhttps://bit.ly/3bxhKMIhttps://bit.ly/2S2pnmuhttps://bit.ly/3bBvfen
revealed how the coronavirus is taking a bite out of the global drug trafficking – everything from severing key supply chains for Chinese precursor drugs to paralyzing the economies upon which drug sales rely. With detailed, on-the-record source work, they reported why drug cartels in Mexico and Colombia are being disrupted and how that is playing out in cities across the U.S., mostly in the form of tight supplies and prices that have risen to crisis-gouging levels. https://bit.ly/355KtWz
